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Review: Full Metal Panic! – Fighting Boy Meets Girl (Vol 1)

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Chidori Kaname is a normal 2nd-year Japanese high school girl. With both good looks and a fiery personality, she’s the school’s “most popular girl you wouldn’t want to be your girlfriend”. Her normal life is shaken with the unexpected arrival of the odd transfer student Sagara Sousuke who seems to be incessantly following her around, despite her warning him to leave her alone. He seems aloof and awkward about things most normal teens have no problems with, and he’s become infamous in class as an unabashed military otaku. Little does Kaname realize, the teenage boy is actually an elite soldier, an arm slave operator, from the secret military organization Mithril—placed undercover at the school to protect her!

Full Metal Panic! almost needs no introduction. This school comedy-cum-military action-cum-love story was written by Shouji Gatou in 1998 with illustrations by Shikidouji. It’s a series that has been much-loved by fans for a long time—thanks to the still-popular anime series. So much so, it was actually one of the earliest light novel releases in the West: Tokyopop released the first five volumes of the series back in 2007 until 2011 when they left the English market. Even now the series has had a recent revival thanks to the new Invisible Victory season of the anime (13 years since the last!) and J-Novel Club’s rescue of the light novels. These J-Novel books include a new translation by Elizabeth Ellis and digital releases, with hardcover 3-in-1 books scheduled for print in the future. This review is of J-Novel Club’s digital release of volume 1.

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The world is not quite our own, where the development of humanoid mechanized suits developed for military use in the 1980s under Reagan. Since then, these Armored Soldiers—Arm Slaves—have become commonplace for those locked in conflict, including 17-year-old Sagara Sousuke. After rescuing a teenaged girl from a secret KGB lab after being kidnapped from her life, the hardened soldier awaits his next assignment. It is, it turns out, an undercover one: preventing another girl from being kidnapped. Chidori Kaname is his charge, and he enters her class despite not having any experience dealing with normal teen life. He’s not privy as to why she’s the target of kidnapping, but he accepts the mission without question; supported by his teammates Seargents Kurz Weber and Melissa Mao, the three start their secret surveillance in Japan.

Sousuke’s mission stumbles pretty immediately. First, he causes a commotion during bag check, and his concealed weapons are confiscated under the incorrect assumptions that they are replicas. Next is his awkward and terrible class introduction, which labels him as an utter weirdo gun-nut. Needless to say, his first impression is a negative one. Kaname, as the class representative, takes particular notice, and she can’t seem to shake the feeling that he’s watching her. Of course, he is, but his stumbling over how unnatural he’s acting means he’s far from hiding his intentions. For all his years of military training, Sousuke is totally unprepared for a normal life. Thanks to that he’s labeled a peeping tom, a panty thief, and a stalker. Despite all this though, Kaname can’t seem to fully dismiss him, and she feels a mixed emotion of annoyance and intrigue.

The mission is ended early thanks to the destruction of the KGB lab by Mithril, but Sousuke takes a break with the class trip under the encouragement of his commanding officer Major Kalinin. All is not peaceful though, as a hired killer is on Kaname’s trail, and he hijacks the plane under violent coercion. Rerouting to North Korea, the 400-odd passengers of the plane are all hostages, and Chidori Kaname is dragged away to be tested on. She’s a ‘Whispered’, someone with hidden knowledge of the incredible technology responsible for lambda drivers and the arm slaves—which is why she (and others) are in so much danger.

The resulting fighting, rescue, and escape is both action-packed and highlights the difference between Sousuke’s awkward high school version of himself, and the elite soldier he’s grown up as.

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As a first book, Fighting Boy Meets Girl introduces the setting and character dynamics of this series well. Chidori Kaname is a headstrong, smart, quick-thinking female lead that’s hard to dislike, even if her situational reasoning seems a little convenient at times. It’s easy to label her a tsundere just from certain events, but I’d argue that her anger is never misplaced or unreasonable—perhaps that’s why she’s stayed such a beloved character for so long. Her counterpart, the idiot-savant Sagara Sousuke, is also hard to dislike. His straightforward nature forgives a lot of his misdoings, and as an audience, we know he doesn’t have any perverted ulterior motives to barging into the girls change room or climbing onto Kaname’s balcony. It’s immensely refreshing amongst the sea of male light novel protagonists who seem to have little else than sex on the brain, whose only purpose is for audience self-insert.

The supporting cast is fairly entertaining too. Kurz is an unabashed perv and Mao is the brains of the operation; the two trading barbs on the regular. We have Kaname’s friend Kyoko, who calls her out on her hypocrisy whenever she can, and Shinji, Sousuke’s only friend in class and an actual military otaku. There’s also Tessa, the young captain of the Tuatha de Denaan submarine, and Major Kalinin, who has a history with Sousuke that spans to before their time in Mithril—when Sousuke was known Kassim and the two encountered the terrorist Gauron.

As far as plot goes, I’m not sure if the plane-hijacking terrorists would be so easily written about in current-day—the book was published in Japanese pre-9/11, after all—but it does mean the stakes feel believably tense. (There would also probably not be such a blase initial reaction to being hostages from the school kids if written nowadays either though—but perhaps that’s just my Western perspective.) It also manages to fit enough of its worldbuilding without feeling clunky. Considering how much of the book is dedicated to mecha fights and military talk, it’s surprisingly easy to read, and the pacing is helped thanks to the constant scene changes. It feels like you’re consuming small chunks of information, rather than long chapters. Despite being over 20 years old now, it doesn’t feel dated to read—maybe helped by the close-but-not-quite iteration of our world.

Considering the celebration for the license rescue of this series by J-Novel Club, there is obviously still passionate fans wanting to read the original work. The digital-first release (both their membership simulpub and Kindle release), followed by the omnibus print releases, gives options to those who want to read for the first time and for owners of the previous Tokyo Pop books. I have no experience with the previous release of this book so I cannot compare translations, but J-Novel’s is comparable to modern expectations and standards. Aside from a missed word in one instance, and the odd use of attaching the -san honorific to Kurz and Mao by Tessa, I didn’t notice anything majorly out of place or wrong. Full Metal Panic! returns triumphantly, and this time it’s here to stay!

Gee’s Rating: Highly recommended, especially for pre-existing fans.

You can purchase the ebook online via sites like Amazon. This is an affiliate link, so a small percentage of sales goes toward this site.


My Hero Academia: School Briefs

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My Hero Academia: School Briefs

English Title: My Hero Academia: School Briefs
Japanese Title: 僕のヒーローアカデミア 雄英白書 — Boku no Hero Academia Yuuei Hakusho
Author: Anri Yoshi — 誉司 アンリ
Illustrator: Kohei Horikoshi — 堀越耕平
Translator: Caleb Cook
Genre: Superheroes, School Life, Action, Urban Fantasy
Original Run: April 2016 – ongoing
English Run: April 2019 – ongoing
Japanese Publisher: JUMP jBOOKS (Shueisha)
English Publisher: Viz Media
Volumes in Japanese: 4 (In Progress)
Volumes in English: 1 (In Progress)
Average Price Per Volume: Paperback $9 — Kindle $6

Synopsis: Midoriya inherits the superpower of the world’s greatest hero, but greatness won’t come easy. — Prose short stories featuring the everyday school lives of My Hero Academia’s fan-favorite characters. — The U.A. High School Hero Course teaches young hopefuls everything they need to become heroes. Between killer events like the Sports Festival and internships, there’s even Parents’ Day! That’s when all the kids get the chance to show their parents what they’re made of!

Volume 1 — Parents’ Day
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Released April 2, 2019 — ISBN-13: 978-1974704866

Upcoming Releases

Reviews of My Hero Academia: School Briefs
English Light Novels: Vol 1

Illustrations Sampler

Related Anime
MAL Entry — Season 1: Aired April 2016 – June 2016, Season 2: Aired April 2017 – September 2017, Season 3: April 2018 – September 2018
Crunchyroll (streaming) — Funimation (streaming) — Hulu (streaming) — AmazonRightStuf

Related Manga (original source)
MAL Entry — Published July 2014 – ongoing (English release by Viz Media)
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If you liked My Hero Academia: School Briefs, you might also want to try…

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Review: My Next Life as a Villainess – All Routes Lead to Doom! (vol 1)

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After 8-year-old Katarina Claes, the spoilt, high-strung heir to a noble family hits her head, she recovers memories of her past life—as a normal high school girl, who loved anime, manga and otome games. After the head bump and the return of her older consciousness, Katarina slowly realizes that she’s not lost in this ‘other world’ at all, but is actually a character from the otome game she had been trying to finish before being transported here—the villainess!! Now, with the knowledge that her life is fated for unhappy endings no matter which route it takes (or which boy the protagonist chooses), Katarina decides to make preparations for the future, to survive the main plot of the game, and to live peacefully. Her sudden change in personality is causing a stir and peaking interest though, and her fate might not be following the path she expects…

My Next Life as a Villainess – All Routes Lead to Doom! or I Reincarnated into an Otome Game Villainess with Only Destruction Flags, known more affectionately online as Bakarina, is an ongoing shojo light novel series by Satoru Yamaguchi with illustrations by Nami Hidaka. The series is released digitally thanks to J-Novel Club, with translation by Shirley Yeung. This first book was released in November 2018. The manga adaptation is also being released later in the year by Seven Seas.

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In the West, shojo light novels are few and far between when compared to the largest and most popular titles available. Bakarina is one of the few to break through, with a lot of popularity online and a pre-existing fanbase. Building off both the tropes of otome-inspired shojo light novels and isekai, the series blends the two to very humorous results. Our main character is unique in that she doesn’t just ‘wake up’ in another world, but instead recovers her ‘past life’ memories that come to coexist with the earlier Katarina ones: the two understood to be the same person. This does mean that her personality changes pretty drastically after the accident though, and instead of the stuck-up, proper lady she had been prior, she now thinks and lives as a normal (if a little rascally) girl with no heed to etiquette. Her past life climbed trees and fought older brothers, caught bugs and scratched herself up without a care. The small scar that had occurred from the bump (that she doesn’t think is a big deal) means that Katarina is now engaged to the third prince in a show of responsibility, and it’s this event which clued her in that this was the same scenario as her favorite otome game Fortune Lover.

Her fiancé is Jeord Stuart, who is the main love interest in the game—making Katarina the main character’s rival. Her past life had been struggling to get the Good Ending for his route shortly before her assumed death, but never managed it. He’s outwardly the epitome of a handsome prince—charming and beautiful—but inside he harbors a twisted dissatisfaction in life, tired of the predictable course his life is taking. In the game, Katarina is his childhood betrothed, keeping him hostage in the engagement by leveraging the faded scar on her hairline. Knowing that her character’s fate is set to either be death or banishment as soon as they reach age 16 (when the game is set) thanks to the game’s protagonist, she instead decides to become proactive in preventing that. She starts by learning swordsmanship, in case she needs to protect herself in a sword fight, and also tries to improve her feeble earth magic. It’s this, trying to become closer to her magic element, that inspires her to start a vegetable patch in the spacious gardens of her family’s home; quickly becoming her pride and joy. She climbs trees, fishes and tends to her vegetables every day, and when her fiance next visits and sees her in her gardening overalls, it’s the breath of fresh air he had been looking for—unknowingly sparking his interest, and changing their relationship from the game.

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It’s not only Jeord that Katarina charms with her new personality either. Mary Hunt becomes her first friend after using a line from the game unknowingly to win her love and devotion, and her fiancé Alan, Jeord’s twin brother and the fourth prince, soon also joins the quickly growing group of people surrounding Katarina. There’s also her adopted brother, Keith, who she welcomes warmly into the family rather than shunning him like in the game, and who now earnestly wishes to protect her with his powerful magic skills. Finally is the Ascart siblings, Sophia and Nichol, who Katarina befriends via a mutual love for romance novels without realizing that most people shun them for Sophia’s ‘cursed’ looks. Meanwhile, Katarina still prepares daily for the (she presumes) inevitable banishment from the kingdom after one of the boys falls in love with the protagonist, without realizing that things have changed. By just being herself, with a personality that doesn’t antagonize others, who accepts everyone without worry for the social rumors or reputation, she’s far from the villain she sees herself as. Instead, Katarina’s built up her own harem of people around her without noticing, and thanks to her unshakeable confidence in her being the ‘bad guy’ doesn’t recognize the romantic gestures as such.

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Bakarina succeeds in balancing its thickheaded main character with the good, kind things she does—none of her actions were calculated or done under the pretense of winning over the others but was successful in doing so anyway. She’s genuine and humble, down-to-earth in a society that strictly upholds pride and propriety, and hardworking towards her goal of living happily. It’s also notable that Katarina’s plan is always assumed to remove herself by not imposing on any of the potential romantic futures of the people in her life; she’s not looking for her own happily ever after, doesn’t think any of these attractive girls and boys could fall in love with someone with such a “scary face”, which also feeds into her obtuseness of the feelings of people around her. She unsuccessfully tries to end the engagement with the prince at her debut party, her 15th birthday, but he declines—now thoroughly smitten with Katarina, and unwilling to break their connection. With the final chapter-epilogue aging our main cast to their mid-teens, we’re nearing Katarina’s enrollment to the Magical Academy and the main events of Fortune Lover. In terms of plot, this book may, in fact, ultimately amount to scene-setting prologue for the next, but it was immense fun, regardless.

My Next Life as a Villainess – All Routes Lead to Doom! is a witty comedy romance with an obtuse-but-kindhearted main character and a variety of supporting cast. This first book is likely to make you laugh, especially if you want a fun twist on shojo isekai and otome tropes; but even if that’s not your usual thing, the story and writing have broad appeal. Definitely check it out if you get the chance!

Gee’s Rating: Highly recommended

Review: Tokyo Ghoul [Days] (vol 1)

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In a world where humans and ghouls live side by side, it’s by no means is peaceful. Humans, fearful for their lives being cut short by the human-eating Ghouls, and Ghouls live with their true natures hidden trying to avoid the CCG. Six short stories document the relationships between humans and ghouls, and their complicated natures. We have a concerned Hide, an intrigued Tsukiyama, and a conflicted Touka as they live their day-to-day lives—welcome to Tokyo Ghoul [Days].

Tokyo Ghoul [Days] is the first volume of the Tokyo Ghoul light novels. Based on the characters and setting of the manga series by Sui Ishida, Shin Towada has reimagined these familiar characters for the novels. Published by Viz in October 2016, translation is done by Morgan Giles. This book is a collection of six short stories, focused on several loosely-interlaced events: Hide joining the Occult Research Club as they observe Kaneki under suspicion of being a ghoul, Touka getting in a fight with her best (human) friend Yoriko, a young Tsukiyama befriending(?) a girl with a somewhat twisted personality, Ikuma Momochi who has just moved to Tokyo, Hinami visiting a local library, and the unlucky Kazuo Yoshida.

Like most books of this nature—spin-offs of popular and well-known manga and/or anime—there is an innate understanding that the audience is already familiar with these characters and their relationships, so very little is done in the way of exposition. This world of humans and ghouls and their precarious interactions is already assumed by the book, so this is not one for people with no background at all to the main series. This book also includes characters introduced in the Tokyo Ghoul:re manga, so it is recommended you are up to date with the English release of the manga to read this.

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The Bible opens this book with Hide and Kaneki hanging out. Friends since elementary school, the two are closer than anything, except Hide has noticed a change in his best friend since his accident a month before. He’s more distant and can’t stand the taste of his favourite food anymore; he’s still recovering from the trauma, Hide rationalises. But his university’s Occult Research Club seems to think that Kaneki is a ghoul—the upperclassmen’s evidence? The lack of eating on campus. Perturbed at the idea that his best friend may be one of the violent monsters always on the news, he tries to convince them of his best friend’s innocence, to no avail. It gets so out of hand that one of the online members of the club, Cain, wants them to start night surveillance after he gets off work, dragging Hide along. Unsure on how he can help Kaneki, he feels defeated, but the unlikely advice of a street busker gives him a renewed inspiration, and he comes up with a plan. Things get crazy, but Hide is clear on his priorities. It’s nice to see the friendship from his perspective, and it’s a great way to start.

This is followed by Lunch Boxes, where Touka’s friend Yoriko is being bullied for her eagerness in their friendship. Motivated by jealousy, the bullying girls pour salt on the wound as they mention how unenthused the secret ghoul is at the pair’s plans to visit a theme park, and how unhappy she looks every time Yoriko shares her homemade food with her. Due to Touka’s own doubts at how ‘passable’ she is as a human and her tendency to jump to the worst conclusions, a series of misunderstandings leads to a fight between them. Unsure at how to proceed, it’s only once Touka realises her own insecurities that she can start to make amends—helped by Kaneki in making her own lunch boxes to share, even though human food is absolutely disgusting and undigestable to her. Compared to the friendship between Hide and Kaneki, who are well-established and both started as human, Touka and Yoriko are from two different worlds, at the very start of a close friendship. It’s proof that things can work out, despite the differences, and humans and ghouls aren’t so fundamentally different when they feel the same emotions.

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Photograph is the third short story, and also the only one not in the same time frame as the other stories. In this, Shu Tsukiyama is in high school where he meets Chie Hori, who photographs him feeding. The odd girl seems relaxed about knowing one of her classmates is a murderous monster, and in reaction to her attitude, rather than killing her to keep her silence, he brings her to a hospital where a nurse is abusing one of the elderly patients. Tsukiyama isn’t revealing this abuse purely for good intentions, but because he wants to eat the delicate skin of an elderly man—as his gormet tastes demand. Even threatening Hori’s life, she’s unperturbed at the possibility, instead more dedicated to taking her photos. From this event a strange but respectful friendship between the two is born, which persists far into adulthood.

To the Capital follows Ikuma Momochi, a small-town ghoul who has moved to Tokyo to pursue his music career. The mild-mannered man wants nothing to do with other ghouls and actively avoids places where they gather (including Anteiku). The reason for this is that he prefers living peacefully in human society, having been raised by a human mother his entire life. His mother, a doctor, saved him shortly after the death of her husband and only baby son—helping his birth mother protect him whilst she ran from the CCG. Although the ghoul woman escaped from the investigators, she was found dead on the shore, and the grieving doctor is faced with a decision. Taking the second chance presented, she raises Ikuma as her own son, bringing him bodies for food and loving him as her own. As such, he’s never hunted for food himself and has no want to cause harm to humans, at total odds with most other ghouls. In the city he scavenges from the recently dead in popular suicide spots, but soon finds himself getting pulled into interactions with other ghouls. His life is sometimes hard as he trys to balance both parts of his identity, but his music is helping.

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The fifth story is Bookmark, which has Kaneki and Touka taking Hinami to a library for more books to read. When she’s there, she meets a boy a couple years younger, who questions why she’s having such a hard time reading simple books. Most ghouls are illeterate, thanks to not attending schooling of any kind, so it’s not that unusual, but Hinami is embarrassed regardless. Upset, they leave the library shortly after (once Kaneki convinces Touka not to fight a small child), but the experience doesn’t discourage the young girl at all. Instead, it seems to make Hinami want to get better and better at reading, and the next time she meets the same boy he apologises for being rude. He gives her a bookmark with a fourleaf clover, and the two become good friends each time as they continue to meet. Things take a turn though, when a group of teens decide to harrass Hinami and her friend from the library and the secret of Hinami, Touka and Kaneki isn’t hidden quite well enough.

The final story is more so a minor addition rather than a full-fledged chapter with Yoshida following Kazuo Yoshida a ghoul with the worst luck. He’s a gym trainer with an amazing body but ugly face, and so when a young woman from the fitness group seems interested in him, he’s immediately hooked. All is not as it seems though, and truly his luck is just the worst.

Tokyo Ghoul [Days] balances a variety of relationships between human and ghoul characters from the Tokyo Ghoul world. It’s a strong addition to the story that fans already love, and flesh out many of the character dynamics for more complexity. This book is not suitable for people who aren’t familiar with the original manga series, and be wary for minor spoilers for the :re manga.

Gee’s Rating: Recommended for fans.

Torture Princess: Fremd Torturchen

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Torture Princess: Fremd Torturchen

English Title: Torture Princess: Fremd Torturchen
Japanese Title: 異世界拷問姫 — “Isekai Goumon Hime”
Author: Keishi Ayasato — 綾里けいし
Illustrator: Ukai Saki — 鵜飼沙樹
Translator: Nathaniel Thrasher
Genre: Drama, Isekai, Romance, Horror
Original Run: April 2016 – ongoing
English Run: May 2019 – ongoing
Japanese Publisher: MF Bunko J (Media Factory)
English Publisher: Yen On (Yen Press)
Volumes in Japanese: 8 (In Progress)
Volumes in English: 1 (In Progress)
Average Price Per VolumePaperback $14 — Kindle $8 — Nook $8

Synopsis: In this dark, gothic fantasy, a boy is summoned to another world where he meets a beautiful and terrifying girl who offers him a choice-to be her servant and help her slay demons, or to suffer at her hands!

Volume 1
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Released May 21, 2019 — ISBN-13: 978-1975304690

Upcoming Releases

Reviews of Torture Princess: Fremd Torturchen
(forthcoming)

Illustrations Sampler

Manga Adaptation
MAL Entry — 3 volumes — Published May 2017 – August 2018 (Japan Only)

If you liked Torture Princess: Fremd Torturchen, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

The Greatest Magicmaster’s Retirement Plan

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The Greatest Magicmaster’s Retirement Plan

English Title: The Greatest Magicmaster’s Retirement Plan
Japanese Title: 最強魔法師の隠遁計画 — Saikyou Mahoushi no Inton Keikaku
Author: Izushiro — イズシロ
Illustrator: Ruria Miyuki — ミユキルリア
Translator: Warnis
Genre: Magic School, Fantasy, Adventure, Harem
Original Run: February 2017 – ongoing
English Run: May 2019 – ongoing
Japanese Publisher: HJ Bunko (Hobby Japan)
English Publisher: J-Novel Club
Volumes in Japanese: 8 (In Progress)
Volumes in English: 1 (In Progress)
Average Price Per Volume: Kindle $7 – iBook $7 – Kobo $7 — Nook $7
Note: Also available to read online through a J-Novel Club subscription. This series is currently digital-only.

Synopsis: In a world where the Fiends run rampant… Magicmaster Alus Reigin, the young prodigy that has defeated more Fiends and reclaimed more of humanity’s lost territory than anyone else alive, requests retirement from military service at age 16. But due to the twists and turns of fate surrounding his status as the No. 1 Magicmaster in the nation—the top Magicmaster out of more than 100,000—he ends up as a student at a special magical institute, hiding his identity and training his successors – a pair of beautiful Magicmaster girls! Not to mention continuing to defeat Fiends in secret… Get ready—the epic adventure of the Greatest Magicmaster Alus Reigin begins now!

Volume 1
AmazoniBookJ-Novel ClubKoboNook
Released May 14, 2019 — ASIN: B07NSL9NQG

Upcoming Releases

Reviews of The Greatest Magicmaster’s Retirement Plan
(forthcoming)

Illustrations Sampler

Manga Adaptation
MAL Entry — Published July 2017 – ongoing (Japan Only)

If you liked The Greatest Magicmaster’s Retirement Plan, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

Reincarnated as a Sword

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Reincarnated as a Sword

English Title: Reincarnated as a Sword
Japanese Title: 転生したら剣でした — “Tensei Shitara Deshita”
Author: Yuu Tanaka – 棚架ユウ
Illustrator: Llo – るろお
Translator: Mike Rachmat
Genre: Action, Fantasy, Comedy
Original Run: July 2016 – ongoing
English Run: May 2019 – ongoing
Japanese Publisher: GC Novels
English Publisher: Seven Seas
Volumes in Japanese: 7 (In Progress)
Volumes in English: 1 (In Progress)
Average Price Per Volume: Paperback $14 — Kindle $8 — Nook $8

Synopsis:

A modern man is reborn into a fantasy world as a sword in this new isekai light novel series!

Reincarnated as a sentient weapon with memories of his past life, but not his name, a magical sword saves a young beastgirl from a life of slavery. Fran, the cat-eared girl, becomes his wielder, and wants only to grow stronger, while the sword wants to know why he is here. Together, the strange duo’s journey has only just begun!

 

Reincarnated as a Sword

Volume 1

Volume 1
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Released (eBook) May 2, 2019 (Print) August 6, 2019 — ISBN-13: 978-1642751413

Upcoming Releases

Reviews of Reincarnated as a Sword
(forthcoming)

Illustrations Sampler

 

Anime Adaptation
None

Manga Adaptation
MAL Entry — 5 volumes — Published April 2017 – Ongoing (No Englisher Publisher)

If you liked Reincarnated as a Sword, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

Campfire Cooking In Another World With My Absurd Skill

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Campfire Cooking in Another World With My Absurd Skill

Campfire Cooking in Another World With My Absurd Skill

English Title: Campfire Cooking In Another World With My Absurd Skill
Japanese Title: とんでもスキルで異世界放浪メシ — “Tondemo Skill de Isekai Hourou Meshi”
Author: Ren Eguchi
Illustrator: Masa
Translator: Kevin Chen
Genre: Isekai, Fantasy, Cooking
Original Run: November 2016 – ongoing
English Run: May 2019 – ongoing
Japanese Publisher: Overlap Novels (Overlap)
English Publisher: J-Novel Club
Volumes in Japanese: 6 (In Progress)
Volumes in English: 1 (In Progress)
Average Price Per Volume: Kindle $7 – iBook $7 – Kobo $7
Note: Also available to read online through a J-Novel Club subscription. This series is currently digital-only.

Synopsis: Mukouda Tsuyoshi was nothing special in modern Japan, so when he was summoned to a world of swordplay and sorcery, he thought he was ready for the adventure of a lifetime. Too bad the kingdom that summoned him only got him by mistake! Not only was he not one of the three summoned heroes, but his stats were laughable compared to theirs. On top of that, there’s something really sketchy about this kingdom… “Ah, these people are the kind to try and use the Hero,” he realized, and immediately left to make his own way in this other world. The only thing Mukouda can rely on is his unique skill: the “Online Supermarket,” a skill that allows him to buy modern goods in a fantasy world. It’s useless for combat, but if he plays his cards right, he could lead a comfortable life, maybe? At least, that’s what Mukouda thinks, but it turns out modern food bought with this skill has some absurd effects! What happens when Mukouda introduces ridiculously tasty modern cooking to a fantasy world like this? He gets some ridiculous repeat customers begging for more…!

Volume 1 — Ginger Fried Pork and the Legendary Beast
AmazoniBookJ-Novel ClubKobo
Released May 6, 2019 — ASIN: B07NRS11LN

Upcoming Releases

  • Volume 2 (August 6, 2019)
    Amazon — iBook — J-Novel Club — Kobo

Reviews of Campfire Cooking in Another World with My Absurd Skill

A Case Suitable for Treatment: Vol 1

Illustrations Sampler

Anime Adaptation
No Anime

Manga Adaptation
MAL Entry — 4 volumes — Published December 2017 – Ongoing (No English Publisher)

If you liked Campfire Cooking in Another World With My Absurd Skill, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

 


Berserk: The Flame Dragon Knight

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Berserk: The Flame Dragon Knight

English Title: Berserk: The Flame Dragon Knight
Japanese Title: ベルセルク 炎竜の騎士 — Beruseruku: Honou Ryuu no Kishi
Author: Makoto Fukami — 深見真
Illustrator: Kentarou Miura — 三浦建太郎
Translator: Duane Johnson
Genre: Adventure, Dark Fantasy, Horror
Original Run: June 2017
English Run: April 2019
Japanese Publisher: Hakusenshu
English Publisher: Dark Horse
Average Price Per Volume: Paperback $12 — Kindle $9 — Nook $9

Synopsis: The Flame Dragon Knight traces the rise of the warhammer-wielding warrior Grunbeld from humble beginnings to become the all-powerful Apostle who will one day face Guts in mortal combat! Featuring all the grisly supernatural action and sinister courtly intrigue Berserk readers have come to expect.

Berserk: The Flame Dragon Knight
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Released April 30, 2019 — ISBN-13: 978-1506709390

Reviews of Berserk: The Flame Dragon Knight
(forthcoming)

Illustrations Sampler

Related Manga (original source)
MAL Entry — Published August 1989 – ongoing (English release by Dark Horse)
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If you liked Berserk: The Flame Dragon Knight, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

Review: Baccano! – 1934 Peter Pan in Chains: Finale (vol 10)

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We’ve reached the end of this tale, as our many disparate threads merging to a singular point. Chicago is wary under the recent bombings from Rail, who is searching for purpose, whilst Jacuzzi and his gang accompany Miria and follow Graham to their old city. Meanwhile, still stuck in Alcatraz, Firo and Ladd have to deal with the aftermath of the previous book, and Leeza’s wrath. Everything’s coming together, and Baccano! is as explosive as ever!

Baccano! – 1934 Peter Pan in Chains: Finale is the tenth novel in the series, with the highest page count yet. With this book, it also signals the end of the longest story arc Ryohgo Narita has attempted for the franchise so far; accompanied by Katsumi Enami’s illustrations.  Originally published in Japan in 2007, Yen On’s English edition was released April 2019 with translations by Taylor Engel.

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Both parts of the previous 1934 entries conclude here, so throughout the book we not only bounce between the various groups involved but also the two settings as well. Each part and player is crucial to the events, despite the distance, and as always no one ever feels unneeded to the plot—incredible, considering how many individuals we’re following here. Narita has a great affinity for writing diverse and engaging characters, and there are plenty of old and new-ish faces that get to shine.

Starting in Chicago is the always-wonderful gang of ruffians led by Jacuzzi and Nice, back in their old neighbourhood to help their friends. One of those friends is Graham, the crazy mechanic with a penchant for dismantling, called to Chicago as brawn for the Russo family; and the other friend is Miria, travelling halfway across the country to meet her partner in crime and life, Isaac, after his release from Alcatraz. We also have the young Russo ‘grandson’ Ricardo, and bodyguard-slash-friend Christopher, the vampire-looking man with pointed teeth and red sclera. Also floating around are various members of Lamia: The Poet, who spouts nonsensical prose; the incredibly short-tempered Sickle; Sham and Hilton, the disembodied twin voices with thousands of bodies across the continent; and Rail, the young bomb expert trying to find a place to belong in the world. We also have Renee and her group of Nebula scientists, as well as the Daily Days Vice President and his assistant Carol. As if that wasn’t enough characters and plot threads to follow as it is, the prisoners of Alcatraz: Firo, Ladd and Huey, also have their time to shine, with Leeza swearing revenge for the eye-gouging of her father.

Following the theft of said eyeball is what brings these two stories together. The calculated scheming between both Nebula and Huey keeps everyone on their toes, as the two try to out-do each other and gain the upper hand. Unfortunately, that makes everyone else pawns to the grander game, with various levels of importance and insignificance. This includes the main focus of this book, Rail, who reaches an important realisation from the previous book in this one. After the kidnapping of Frank, and the hatred for Huey that has always been bubbling, Rail is in desperate need of control over life. When confronted with the perceived rejection from Chris, it feeds the desperation Rail feels about being a broken puppet—experimented and taken apart countless times, with suture scars across every inch; wanting to destroy everything in the world, themselves included. Struggling with a sense of having no identity, Rail is found (and saved) by Nice, after she goes to investigate the explosions around town she’s being blamed for. The explosives are very familiar, and so Nice feels a sense of responsibility towards the younger kid, and the situation at large.

Whilst this is going on, the fateful meeting of three parties—Graham and the Russos, The Poet and Scythe, and Chris and Ricardo—occurs in an unassuming restaurant, resulting in a major clash. If it all feels a little too coincidental, that’s by design.

The fact is, Rail isn’t the only one of Huey’s underlings questioning and betraying their purpose—Sham’s no longer a mindless follower of the immortal man either. Bolstered by a new perspective after a failed ‘takeover’, the multitude of Sham has successfully supplanted hidden agents into every major group as needed—the Russos, Jacuzzi’s group, even Nebula itself. Even Leeza, the most devoted of Huey’s supporters, gets a taste of the wider world outside of her father thanks to Firo; saving her life from Ladd’s unbridled violence, despite her murderous attacks of revenge against them both. It’s the first time the young girl has experienced kindness from anyone but her father, and it’s the first step towards various possibilities.

This is the end of these current events, but as always, there’s so much more hinted to come from the world of Baccano!. Considering the conclusion of this particular novel, the stakes have been raised yet again, and it makes me excited for the future books to come. One of the series’ great strengths is its feeling of existing as a fully-realised world, rather than an insular bubble of the protagonists. This is helped, of course, by the ensemble cast and their various goings-on, but it also means that it feels like the story is never truly ‘over’, even when things get concluded. With writing like this (and such an engaging translation), it’s obvious how the series has maintained popularity for so long.

Gee’s Rating: Recommended

 

Review: Katanagatari (Omnibus 1)

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Katanagatari

For general information on the series: Katanagatari entry

This review is for the first omnibus volume of Katanagatari (or “Sword Tale”) by Nisio Isin (with artwork by take). The English hardcover edition was released by Vertical in November 2018. It includes the text and illustrations from volumes 1 through 3 of the series as it was released by Kodansha Box in Japan. The next English omnibus volume will come out on June 18th, containing volumes 4 through 6. The series was completed in Japan with 12 volumes (from January to December of 2007), so there will be four hardcover omnibus English releases total.

Omnibus 1 (Vol 1-3)

Some points to keep in mind for this review:

  • I believe I saw (part of?) the first episode of the anime adaptation a long time ago. I could not recall anything about it when starting to read this though. Maybe I’ll watch the anime after I finish reading the books. (It seems like it’d be a rather difficult story to adapt.)
  • My opinion on Nisio Isin novels at the moment: I really liked the first two volumes of Zaregoto (can’t wait for the third), and I like some aspects of Monogatari well enough — but I am not interested enough to actively read more of the latter series.
  • I have been dying for a translated light novel series set in a traditional Japanese setting for a LOOOOOOONG time now. I don’t get why this is such a rare and unusual thing. Katanagatari is admittedly a very quirky alternate universe take on the Edo era, but I’m all right with that.

Also, if you skipped the opening paragraph for the review — be sure to keep in mind this is a hardcover omnibus containing the first three volumes of the story! The book itself is very nice, and well-worth the asking price. The cover has a nice feel to it that I like more than most other hardcover books I’ve read. The pages are nice too, and a color foldout of the covers from Japan’s volume 2 and 3 is included at the front.

I couldn’t find any good scans of the LN illustrations online. So you get my bad photos!

And speaking of illustrations, the artist (take) did a wonderful job here. Take’s drawings for Zaregoto were nice, but the unique art style feels like a perfect fit for Katanagatari. The character designs are highly stylized with a modern Japanese pop art feel to them, and the many two-page spreads throughout the book incorporate symbols, patterns, and nature motifs that hearken back to traditional Japanese artwork. This is also the only light novel I know of that not only credits an artist, but also a calligrapher (Hiroshi Hirata). All in all this is a quality book that is just nice to hold and look at.

One more thing to mention before diving into the story itself: the footnotes. The book is full of them, with the notes at the bottom of each page (rather than endnotes at the back of the book, like in My Youth Romantic Comedy). These footnotes include the Japanese text being referenced, a transliteration of the Japanese, and then an English translation that may or may not differ a bit from the actual translation used in the text (as a 1:1 direct translation will not always read well in English). Also, there may be a quick explanation of some wordplay (puns, homonyms, idioms, etc), or what some bit of traditional Japanese architecture, food, clothing, and so on being referenced is. I realize this is all something of a controversy in the world of translation. As someone with an interest in the subject matter, I personally appreciated the extra context the footnotes provided. I also think the translation of the text itself holds up on its own well enough that readers can get by all right without referencing anything, should they wish. That said, a large number of the footnotes probably didn’t need to be included, especially in cases where they didn’t seem to provide any new information (save for the original Japanese words).

The story itself is a simple one, feeling much like the setup of some tale from folklore: two characters go on a quest to gather twelve legendary swords, fighting off all manner of strange foes along the way. Each volume so far entails our leads locating a sword and then obtaining it from its current wielder. That said, I didn’t feel the story was all that repetitive, as each sword-wielder has been pretty unique so far, and there is a surprising amount of back-story to parse through as far as the setting is concerned. A famous swordsmith, a powerful shogun and his great sword hunt, various schools of swordsmanship, a rebellion, machinations within the government, clashing clans of ninja and samurai… The tale of Katanagatari is told in a markedly straightforward manner, but there’s still enough depth to its world and characters that you can take it seriously.

The two leads in particular, Shichika and Togame, are absolutely delightful. Shichika is the fish out of water in this story — he was raised on an island (with just his father and sister), and spent his life training in a style of swordsmanship that uses no swords. He is approached by Togame, a self-proclaimed “schemer” for the government, in order to retrieve the twelve aforementioned swords for the shogunate. Togame is an odd and funny woman, but she also has a strong determination and intriguing history. I’m glad to say though that there is more to both characters than meets the eye, and I look forward to finding out more about them in the volumes to come. And, as can be expected of Nisio Isin, the banter between the two leads is a lot of fun to read, with all sorts of clever quips and witty asides. (And, uh, catch phrases.)

And really, the prose in general for this one is great. There is a strong narration that will at times break the fourth wall (sometimes to hilarious effect), but the story still feels genuine and earnest as far as the characters and their personal plights are concerned. All in all I have to say everyone ought to give Katanagatari a try. It’s a lovely book to have in your collection, and even with the story’s unique setting, it’s probably the most approachable of Nisio Isin’s works currently available in English. Even folks who may not be that into anime and whatnot can find this a fun read, I wager, so long as they’re up for a rollicking adventure in Japan.

Cho’s Rating: Strongly Recommended

You can purchase this book online via sites like Amazon (available in hardcover) and Book Depository (which offers free worldwide shipping). These are affiliate links, so a small percentage of sales goes toward this site.

Summer Reading 2019 — Set Your Personal Reading Goal

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Hello, Cho here~ It’s almost summer, and you know what that means — time for summer reading…!

Actually I was thinking of just not bothering this year, since I’m still really busy with a lot of other stuff for the blog, and it always takes a lot of work to get folks to read and discuss any of the summer reading books. But doing nothing at all is no fun, so this is what I came up with:

Set a light novel reading goal for yourself this summer. It can be however many books you’d like. A bunch of old releases of a series you want to catch up on? The new releases for all the series you’re following? Every volume that’s out for an entire series you want to binge-read? The first volume of a dozen different series you want to sample? Every light novel EVER? You decide! And at the end of each month (June, July, and August) check in here and let us know how the reading’s going. You can simply leave a quick comment to the post itself, or you can enjoy your day of dazzling destiny in the post itself if you want to email me a paragraph (or more!) some time beforehand. This can be your big chance to let the “world-wide web” know just how much the stories you’re reading please you. (Or, heaven forbid, how much the stories frustrate you?)

So for now, just let us all know what your goal is. It can be as simple as a number of light novels you’d like to read over the summer. Or you can specifically state all the volumes you want to read, if you already have a to-read list in mind. I’ll go ahead and start with my own goal:

Before I created this website, one of the light novels I read off and on was Kieli, a series I feel is super-underrated in the English LN community. But I never finished all the books, and it’s been a while since I read any of it so I feel like starting from the beginning and reading through the whole series. There are nine volumes total, so I’ll have to read three volumes each month. I can handle that while working on and reading other stuff. And getting the books themselves shouldn’t be an issue since ebooks were released for the full series last year.

That’s my summer reading goal — what’s yours? Good luck meeting your goal, and have fun!

Review: Tokyo Ghoul [Void] (vol 2)

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After the raid of the ghoul detention centre by Aogiri Tree, the CCG has tightened security across all 23 wards in retaliation. Because of this, Koutarou Amon finds himself in the 8th Ward, helping with the CCG Investigator shortage. When there he’s informed of the kidnapping of a local girl—the only evidence left behind being her barrette, obviously covered with evidence of a ghoul. Each of the five stories in this book is linked to this event, and we have a suspicious Amon, a frustrated Asa, a curious Chie, a worried Hinami, and a love-struck Misato to enjoy in book two: Tokyo Ghoul [Void].

Following the first volume of the Tokyo Ghoul light novels, [Void] also consists of multiple interweaved short stories—a little more obvious in their connection compared to the previous. Inspired by Sui Ishida’s manga, Shin Towada once again reimagines the characters and setting for the novel. Published in 2017 by Viz and Morgan Giles is yet again responsible for the translation. Just like the previous, familiarity with the original manga series is recommended to fully enjoy this book.

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Heat Haze is the longest of the stories in this book (making up over a third of the total page count) for the obvious reason that it is the main conflict that the other stories diverge from. After temporarily transferring to the 8th ward, Koutarou Amon is dragged into an investigation of kidnapping, possibly done by a ghoul, by police officer Morimine. Morimine’s dedication to the case goes beyond simple job expectations, and Amon soon realises that the case may be much larger than he expected, with the beautiful young woman he keeps running into on the street seems to have some sort of connection to it all. She’s struggling after the sudden hospitalisation of her adoptive father and clings to the small kindness that the CCG Investigator shows her. This story is a look into Amon’s mind during a complicated case and the morally grey struggle of carnivorous creatures like ghouls having to eat people to survive—and their right to live at all. It’s another instance of Amon being confronted with the fact that ghouls are not just mindless killers, but struggling, near-human individuals desperate to live in peace.

Embroidery is the second story and follows Asa, a masculine young woman who dreams of being a top-rate mask maker like Uta. After another failed attempt at becoming his apprentice, she shares a photograph given to her by Officer Morimine. The picture is of a beautifully embroidered mask related to the kidnapping case, and Asa is interested in meeting the person who could make such beautiful things. Unsurprisingly, Uta does know the person responsible, and takes Asa to meet them—an elderly woman called Tsumugi; a human with a long history with ghouls. The two women don’t get along at first, thanks to Asa’s laziness and Tsumugi’s no-nonsense attitude, but the two slowly grow closer over time as the older woman imparts her sewing wisdom to the young ghoul.

The third story, Photography, is of the young idol Mitsuba, who is secretly photographed by Chie Hori. Her expression on stage is incredibly sad, which inspires the photographer to snap a picture at an event. Her long-time friend, Shuu Tsukiyama, takes an interest in eating the sad singer, and now Chie is trying to prevent that from happening—to preserve her opportunity for future photographs of the woman. After hiding from the Gourmet ghoul, Mitsuba admits her motivations in becoming an idol: trying to find her sister and mother, who disappeared nine years prior. Surprisingly, Chie’s information network has tracked down a lead for Mitsuba’s missing family—hoping to reunite them before Tsukiyama can get a taste of the idol.

Injury Name is a short introspective piece about Hinami struggling to find a way she can support her ‘big brother’ Kaneki and ‘big sister’ Touka after the former disappears from Anteiku. It’s a small part, showing the love the young girl has for the people in her life, and the two very different paths they’ve taken. We also get a peek at the slow changes occurring between ghoul factions too.

And finally is Misato, a short comedic interlude about the titular character’s crush on Inspector Amon, and her failed attempts at gifting him homemade doughnuts. The poor young woman can’t seem to catch a break in confessing her feelings, and a mysterious stomach bug is sweeping the CCG.

Tokyo Ghoul [Void] is another solid light novel addition to the Tokyo Ghoul setting. The main focus point of the novel is interesting and provides plenty of potential for the other stories in the collection. Like the previous, only pre-existing fans will likely enjoy the book to it’s fullest, but it gives a lot to enjoy for those who are.

Gee’s Rating: Recommended for fans.

Wolf Children: Ame & Yuki

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Wolf Children: Ame & Yuki

English Title: Wolf Children: Ame & Yuki
Japanese Title: おおかみこどもの雨と雪 — “Ookami Kodomo no Ame to Yuki”
Author: Mamoru Hosoda — 細田守
Illustrator: Ame Karasuba — 烏羽雨
Translator: N/A
Genre: Drama, Slice-of-life, Fantasy
Original Run: June 2012
English Run: May 2019
Japanese Publisher: Kadokawa Bunko (Kadokawa)
English Publisher: Yen On (Yen Press)
Volumes in Japanese: 1 (Complete)
Volumes in English: 1 (Complete)
Average Price Per VolumePaperback $14 — Kindle $10 — Nook $10

Synopsis: When Hana falls in love with a young interloper she encounters in her college class, the last thing she expects to learn is that he is part wolf. Instead of rejecting her lover upon learning his secret, she accepts him with open arms. Soon, the couple is expecting their first child, and a cozy picture of family life unfolds. But after what seems like a mere moment of bliss to Hana, the father of her children is tragically taken from her. Life as a single mother is hard in any situation, but when your children walk a fine line between man and beast, the rules of parenting all but go out the window. With no one to turn to, how will Hana survive?

Volume 1
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Released May 21, 2019 — ISBN-13: 978-1975356866

Reviews of Wolf Children: Ame & Yuki
(forthcoming)

Anime Adaptation
MAL Entry — 1 movie — Aired July 2012
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Manga Adaptation
MAL Entry — 1 volumes — Published March 2014 (English release by Yen Press)
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If you liked Wolf Children: Ame & Yuki, you might also want to try…

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Review: Fullmetal Alchemist – The Ties That Bind (Vol 5)

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After discovering a banned book on the science of the human body may be found in a nearby bookstore, Ed and Al make their way from their Teacher’s home to look for it. Whilst there they meet Kip, a young Ishbalan boy who is being raised by the store owner and her husband, who is travelling to find their foster son’s birth parents. Meanwhile, vicious chimera have been attacking people across the country, and Mustang’s been put in charge of stopping them! It’s time for another alchemic adventure in Fullmetal Alchemist: The Ties That Bind.

This fifth book is the final Fullmetal Alchemist light novel ever published in English, although not the last of the series that was written in Japan. Written by Makoto Inoue and translated for Viz by Alexander O. Smith, the book features Hiromu Arakawa’s signature artwork from the hit manga series. This volume is probably also the most well-known of the Fullmetal Alchemist light novels (and likely the only one with a second print run), as it is included in Viz’s manga boxset as a bonus item and is still readily available.

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As all good FMA stories do, the book starts with the boys getting in trouble—this time being scolded by their alchemy teacher and surrogate guardian, Izumi Curtis, for breaking the taboo of human transmutation. The woman knows all too well the dangers of the taboo and hates how her young students have repeated her mistakes. She’s a powerful alchemist but emphasises the value of not relying on alchemy for everyday life. After trying to fix a radio, Edward finds a photo that has a banned book, The Evolution of the Body by Balerea Dell, in the store window; asking where the photo was taken, the two brothers decide to sneak off and find it in hopes it might have a clue to restoring their bodies, against Izumi’s wishes. They don’t quite get away scot-free—especially after a chimera almost attacks them in the wan hours of pre-dawn—but with Izumi’s disgruntled acceptance, they take the train to the town in question.

Once there, the two brothers search for Egger’s Books—of which the previous owner collected all sorts of odd and specialised books—in hope Dell’s book is still available. On the way they meet a young, friendly Ishbalan boy who is carrying his own box of books. He introduces himself as Kip and offers to show them the way after helping him with his box of picture books. He is, it turns out, the foster son of the current bookstore owners. Separated from his parents during the Ishbalan War, he was taken in by his parent’s friends, with the promise that they would be reunited. His foster father, Luon Egger himself, now travels across the country buying and trading new books, and looking for Kip’s parents, whilst his wife Shelley and Kip look after the store. The two welcome the Elrics into their home easily when they hear that they’re searching for a particular book, letting them peruse the shelves at leisure. Doing so, the brothers discover a letter to Egger from Dell, meaning they might be even closer to finding the man himself.

At the same time in Eastern Command, Mustang has been ordered by Central to resolve the chimera attacks with help from Southern. The monstrous beasts have attacked a dozen people in horrible ways, and although no one has died yet, it seems like only a matter of time. With a bit of deduction from the Flame Alchemist, he seems to have a good idea on the next likely target to be attacked. —a military higher-up with a bad attitude and general hatred for Roy.

The book, like the previous, is easy to follow and fairly straightforward—but in true Fullmetal fashion, the themes run deeper than the typical shonen fare. Discussing the cost and futility of war, as well as the ever-present themes of PTSD from our characters involved with the Ishbal rebellion (closer to eradication), FMA never hides or excuses the atrocities of the military—refreshing, considering how often the military is used as a setting or premise in light novels as a positive. This is no SDF fantasy born from military otaku wet dreams, and Arakawa’s hard work capturing the mental and physical impact of warfare is maintained perfectly here—these characters still fight with the ever-constant demons of the past, the survivor’s guilt and the sheer hopelessness for themselves. We also have Kip’s struggle with his identity: his cultural and ethnic heritage, part of a discriminated people who were indiscriminately slaughtered by Amestrian soldiers and their unnatural alchemy; counter-balanced with his love for his foster parents, the only family he has ever known. At only six years old, it’s an impossible thing to expect him to fully comprehend all the implications, and the relationship Kip has with Luon provides an interesting comparison with the Elrics and their own absent father.

These Fullmetal Alchemist books are truly representative of a light read—a quick, simple story that lends itself to the franchise, without being necessary to read. As with all the previous, this book is better suited to long-time super fans of FMA and it’s many media iterations, or young manga and anime fans who want something familiar that won’t be over-sexualised or over-violent. This was the final of the FMA light novels Viz ever translated for the English market, but I do think it was a high point to leave it—it makes sense as to why this book was chosen as the extra for the manga boxset, and it’s a little “meatier” on the themes the manga so often employs. By the same token, it’s obvious as to why there has never been a huge push to license and release the rest—the current standards and expectations for light novels are far different now then back in 2007, and this series isn’t quite up-to-snuff with what we’re used to today. As a stand-alone, the book is an OK addition for any FMA fan, but don’t expect too much more from it.

Gee’s Rating: Maybe recommended for pre-existing fans.


Review: Tokyo Ghoul [Past] (vol 3)

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Before the disastrous events leading to Ken Kaneki being drawn into the center of the battle between humans and ghouls. In this book, we follow multiple characters from the beloved manga series in their lives prior to the main series, giving some insight into their personalities and motivations in six short stories. Welcome to a world where Kaneki is still human, the Kirishima siblings still live together, and Rise is still feasting freely—welcome to Tokyo Ghoul [Past].

Tokyo Ghoul [Past] is the third and final volume of the Tokyo Ghoul light novels. Inspired by the manga series by Sui Ishida, the story is written by Shin Towada. Viz Media published the book in 2017, with translation done by Morgan Giles. This book is a collection of six short stories, focused on several small groups of familiar characters from the manga: Touka and Ayato Kirishima, Kaneki and his best friend Hide, Rize and Banjo, Akira Mado and her father Kureo, Kimi and Nishiki, and Koma working at Anteiku.

Like the previous books in this series, it is assumed you know the setting and characters featured. If you have no background to the manga or anime, there’s no exposition to help you out.

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The first story, Different Kind, follows the Kirishima siblings when they were still living together. After losing their father, Touka has attached herself to the idea of withdrawing completely from human society—a safe tactic to prevent drawing attention to themselves. The duo feel no fear killing humans indiscriminately, and the young teen struggles with her need for vengeance against humans and the CCG who killed her father, fighting other ghouls looking for trouble, and the want to protect her brother and herself from the outside world. All of this comes to a head when she runs into a young lost human boy and his father. She sees a lot of parallels between the young child and her own situation, and starts to realize that ghouls and humans aren’t so different. It’s a well-done short story, and establishes how and why the two siblings are so at odds in the manga. This is the first step to seeing the Touka that fans are familiar with, and opens very effectively.

Story two is Solitary Reading, which is set when the series’ main protagonist, Ken Kaneki, is still in high school. In this, we’re witness to the routine abuse he’s subjected to in his Aunt’s home. After the untimely death of his mother several years before leaving him an orphan, the quiet, bookish teen has been living in his mother’s sister’s home. His Aunt, it appears, hated her sister—and by extension, Ken himself. She ignores him almost completely, and he’s acutely aware that he’s not welcome in the house. It’s only thanks to his mother’s motto of preferring to be a person who is hurt, rather than being a person who hurts people that he puts up with it—and it’s also this that makes him realise how abused she too had been throughout her life. Even so, he has his beloved memories of his mother and his beloved books from his father as a solace. It’s only after his Aunt throws out all of his precious books that his resolve cracks, broken, and his best friend Hide stands up to the woman himself. This story is probably my favorite within this collection, and it highlights the strong friendship between Kaneki and Hide very well, and why the two value each other so much. It’s also an interesting slice of Kaneki’s human life before meeting Rize.

Femme Fatale is the third short story focusing on Banjo’s interactions with ‘binge-eater’ Rize when they both lived in the 11th ward. As a recent addition to the neighborhood, her messy and destructive hunting and eating habits is causing problems for the local ghouls who work hard to stay low-profile from the CCG. When another body is found by the seaside, the beautiful woman is blamed for it, and Banjo finds it unjust that it’s assumed she’s the culprit without indisputable proof. Trying to find the true culprit, he and a few friends start their search—and he admits his admiration of her freedom, unworried about the danger of drawing attention to herself. The story is short and to the point, and rather than being about the actual events shown, is more so used to show Banjo’s character personality and respect.

Story four is Insincerity, taking place during Akira’s days at the CCG academy. She’s treated with a level of irritation thanks to the reputation of both her mother and father, and her to-the-point attitude makes it hard for her to get along with other recruits and senior officers both. One night she meets with a young boy who reported a ghoul after surviving a run-in in an act of quick-thinking, and learns about his wish for revenge against the ‘ladybug masked’ ghoul who murdered his father. Seeing parts of herself in this younger boy, she finds herself trying to fulfill his revenge and prove herself as a CCG member. This also helps her realize the own need for her to mature and improve, and the relationship she has with the people around her. For a character as emotionally awkward as Akira, it’s nice seeing her grow with these realizations.

Matching is the fifth and penultimate story in this book, and is primarily focused on Kimi Nishio as she struggles with the sudden death of her entire immediate family in a traffic accident. After the shock of losing her family hits her, the first-year university student wonders why she was the only one to survive on, and questions why continue to study to become a doctor, if everyone she cares the most about is already beyond saving. It’s at this point, when she’s still stuck in a fog, that she meets Nishiki Nishio, another student. His easy-going personality and friendly demeanor helps her deal with her daily life and grief—as he didn’t know her before, he doesn’t know about her family’s death, and it’s easier for them to spend time together without the expected pity. Considering the relationship these two have in the manga series, it’s interesting to see how it started here in this story, and why Kimi is so devoted and unafraid of the possibilities. This short is another stand-out part of the book, and definitely one that fans will likely value the expansion to.

The final story is Devil Ape, which follows the former leader of the ghoul gang the Apes, Kamo, as he starts working at the popular coffee shop Anteiku. In his previous role he was the feared leader of the group, known as Devil Ape, but now he’s working on little more than cleaning at the cafe. Initially he finds it insulting that’s he’s being treated this way, but Kamo is nothing if not enthusiastic at giving everything an honest effort and try. After a short while, he grows a huge respect for the process of cleaning and its many adaptabilities, and shares the things he’s learning with the other Ape members. Through this they also learn ways to also exist seamlessly within human society and find work, and quickly they all start to find better lives for themselves. The whole process is a learning curve, and when Kamo’s finally able to brew coffee himself, it’s almost a religious experience. Kamo realises that his role at the coffee shop has been put in place to help him grow, and that it’s the same when rival gang leader Irimi also joins Anteiku. It’s an interesting look into the lives of very sidelined characters, but highlights the importance of Anteiku in the role of bringing ghouls and humans together.

Tokyo Ghoul [Past] is a nice collection of short story prequels about a bunch of characters within the Tokyo Ghoul world. For existing fans of the franchise, it gives interesting depth to many characters and relationships that have already been established. This book is not suitable for people who aren’t familiar with the original manga series, but as it is made up entirely of prequel stories it does not have any spoilers for those who have not finished the manga either. Definitely check it out if you’re a fan!!

Gee’s Rating: Recommended for fans.

Review: My Next Life as a Villainess – All Routes Lead to Doom! (Vol 2)

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bakarina banner2gee icon

Katarina Claes is now enrolled into the esteemed magic academy of Future Lover, along with her large group of friends (and potential romances, but she’s far too dense to realise). With it comes the looming threat she’s been preparing for all of this time—the protagonist, Maria Campbell, stealing the heart of someone and Katarina being slain or banished! The only problem is that none of the boys (Jeord, Alan, Keith and Nichol) seem to have any interest in the beautiful girl with powerful Light magic. Plus, more and more events are changing from the otome game routes that she’s familiar with—she never finished the game in her first life, so what happens when there’s a secret route? Will she be able to clear her first year at the academy alive, or is she destined for Bad Ends?

The second volume of My Next Life as a Villainess – All Routes Lead to Doom! (aka Bakarina) continues the story Satoru Yamaguchi started, and once again includes illustrations by Nami Hidaka. J-Novel Club’s English version was released Feb 8 2019,  with translation by Shirley Yeung. With this book, we reach the ‘main story’ that the previous book was building up to, paying off all of the various character interactions with its signature wackiness.

bakarina cover2

Now a new student, Katarina Claes has entered the scenario of the Future Lover her previous life had been playing. At this Academy, each student is taught how to use their magic, and the vast majority of the student body is of noble blood. The exception to this is Maria Campbell, a commoner girl with the incredibly rare ability to wield Light magic. She is also, as Katarina remembers, the protagonist of Future Lover. Therefore, she’s also the reason Katarina’s been training the past seven years; hoping to survive independently after potentially being banished from the kingdom.

What she doesn’t realise though is that she’s far from the villainess character that she was in the game, and has a multitude of people surrounding her who love her. Along with the four boys, this also includes her friends Mary and Sophia, other romance rivals for the protagonist. The six all fight the same battle against her dense and straight-forward nature, still unable to make the young Baroness aware of their feelings.

Coincidentally, all of Katarina’s friends and Maria join the student council. It’s an important role and great honor within the school and only the best students with the highest magical aptitude can be members. Nichol and the current President, Sirius, are already members from the previous year—the only remnants left. Katarina, with her terrible magic abilities and her lacking grades, is the only one left out, as she expected, but not wanting her to be left out, her childhood friends, adopted brother and betrothed all campaign to give her access to the meeting room too; and it’s here that Katarina meets the girl she’s sure will cause her death.

Unsurprisingly, Katarina doesn’t actually dislike Maria at all—she sees why the other girl is deemed the protagonist, compared to her own villainess role, and once again all too easily captures her heart by being her likeable, dumb-but-earnest, genuine self. Things are definitely helped along by Katarina’s One True Love though: food. Thanks to her voracious appetite and relaxed personality, there’s no question that she’d eat all the homemade snacks that Maria made with a grin. Unlocking the traumatic past between Maria and her parents, her hatred for her magic, and the bullying she’s endured(being led by the not-Katarina rival, now that she’s changed destiny so much), Maria inevitably finds herself caught in Katarina’s spell. So we get yet another person vying for her affections, unsuccessfully.

I also appreciate how seriously (in as much as this series can be serious) both this and the previous book takes the female romance options. All of Katarina’s friends are treated equally, regardless of gender, and there never seems to be any conflict within the various members that a heteroromantic option is ‘better’ versus a homoromantic one. Sure, each teen is hoping the clueless Lady Claes will return their affections and reject the others, but Jeord, Alan, Kieth and Nichol all see Mary and Maria as true rival threats.

This book also introduces the idea of Sophia not quite being entirely of this world either—her dreams being filled with a previous life, including a rambunxious friend she’d play otome games with who died quite suddenly before finishing her last one. This element is a fairly obvious deus ex machina to give Katarina knowledge about the game she couldn’t have, and as an easy way to resolve both the main story and its secret route. It’s contrite, to say the least, but this series was never really meant to be complicated or serious anyway. It’s dumb, but stays in line with the rest of the dumbness. It also gives a little perspective to the Katarina of the past—not inherently necessary, but it’s closure to a life that we as an audience never saw, but rely on for the story.

Once again the otome and reverse harem aspect is done very well—following flags and events, unlocking secret characters, and the possibility of both a friendship end and a reverse harem end are staples of this type of game, and it’s obvious to the reader how things will develop—even if our protagonist Katarina doesn’t. The secret character has a suitably ‘dark’ but sympathetic situation, with the potential to be saved—again, par for the course in wish-fulfilment romance of this nature. Bakarina is an interesting mix of genuine homage and thick satire, although sometimes it has a hard time balancing both.

The final chapter is a side story completely from Jeord’s point of view. Chapters have always been broken into the switching perspectives, but this time we’re given a little more insight to the third Prince. As far as the romance options, he’s definitely the ‘endgame’ favorite of the bunch, considering the engagement, but it seems impossible that the series will wrap up so neatly.

If you’re a fan of the series or enjoyed the previous book, this second volume is the ‘payoff’ for what was built in the last. Considering the main events of the Fortune Lover game were the focus, it will be interesting to see how the series continues from here. With no more insight to future events, Katarina is blind to what her fate may be—and with one more year at the academy, anything could happen! Will romance blossom? Will Katarina have a fresh batch of vegetables? Will she finally get a handle on Earth Raiser? I guess we’ll have to see!!

Gee’s Rating: Highly recommended

Haikasoru Review: Legend of the Galactic Heroes (Vol 3)

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fanart by homa0814

For general information on this series: Legend of the Galactic Heroes entry

This review is for the third volume of Legend of the Galactic Heroes by Yoshiki Tanaka. The English edition was released by Viz Media’s Haikasoru imprint in November 2016. At the moment there are eight volumes available in English. The series is completed with ten volumes in Japan, released from 1982 to 1987.

Note: There will be some spoilers for the previous two volumes here, as this is a difficult series to review without referring to past events.

Vol 3 — Endurance

Volume 3 for this series is essentially what you’d expect to happen next, directly following the conclusion of volume 2. It’s good storytelling, but also something of a transitory interlude. It’s more or less Yang Wen-li and Reinhard von Lohengramm dealing with the repercussions of their newfound respective roles: a beloved war hero for Yang, and the prime minister of the entire Galactic Empire for Reinhard. Unlike the first two entries, which divided the story time between the two leads fairly equally, this volume is much more focused on Yang–and his adopted son Julian, resident Good Boy and rookie soldier for the Free Planets Alliance (much to Yang’s consternation). And though I called Yang a beloved war hero, it is worth noting he is decidedly not beloved by the Alliance’s political leaders, and this constitutes one of the two main conflicts for this galactic episode.

Thanks to a little nudge from Rubinsky of Fezzan, the ruling politicians of the Alliance are afraid Yang will seek to dispose them and rule the Alliance himself, as Reinhard has managed in the Empire. Yang of course has no desire for power, or even to be a war hero–but still he is ordered to leave the strategically-critical Iserlohn Fortress in order for him to be grilled in a farcical court trial concerning certain decisions he has made. It’s all rather over-the-top, but the author (Yoshiki Tanaka) is not here to be subtle. He has strong points he wants to make about politics, and over the course of this story the dichotomy between the Alliance and the Empire only becomes more apparent. While the Empire is a totalitarian state, Reinhard is a competent leader who is genuinely making life better for the vast majority of its citizens. Meanwhile the Alliance is a democracy, but the leaders are incompetent and repeatedly fail to uphold the ideals that their nation was founded upon. Rubinski put it bluntly:

It’s just like the Alliance’s current leadership to do something like that. They extol the virtues of democracy with their mouths, while in reality they ignore laws and regulations, turning them into hollow shells. That’s a makeshift and dangerous way of doing things. And it’s because their authorities have no respect for the laws themselves, that their societal norms are becoming unglued. A symptom that they’re entering the terminal phase.”

The second main conflict entails the Empire’s counter-attack on Iserlohn Fortress. They lost it thanks to Yang the Magician, but a wild idea has been concocted for winning it back. (The plan is delightful in its simplicity, but I won’t spoil it here.) Reinhard gives the okay, but beyond that he is not directly involved in most of the actual warfare for this volume–he is more concerned with domestic affairs at this point, though I’m sure he will shift gears back to focusing on conquering the Alliance soon enough.

All in all this is a volume that delivers the sort of content fans will expect. It’s not as flashy and dramatic as the previous two volumes, but the plot is steadily moving forward–and the direction it’s moving in does not look pleasant for Yang, which certainly leaves me concerned. I’ll have to read on, though I sure wish the rest of the series was available in audiobook form. I listened to the first three installments via Audible, but all subsequent entries are currently only available in paperback or ebook formats. I might delay moving on to volume 4 for a while, just in case an announcement is made…

Cho’s Rating: Recommended

You can purchase this book online via sites like Amazon (available in paperback or as an ebook) and Book Depository (which offers free worldwide shipping). These are affiliate links, so a small percentage of sales goes toward this site.

Novel Review: The Great Passage

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The Great Passage

This is a review for The Great Passage, by Shion Miura. It’s not a light novel, but I figured why not review it anyways, since people here might be curious about it (given how it had an anime adaptation). The English translation of this released in June 2017, published by Amazon Crossing. It is available as a paperback or ebook, or as an audiobook.

The Great Passage is a story about people making a dictionary. It was a best-selling novel in Japan, and its live-action film adaptation won the Japan Academy Prize in 2013. The author, Shion Miura, is a winner of the Naoki Prize (one of Japan’s most prestigious literary awards), and a couple of her works have been adapted into anime. Namely this one, and the more recent show Run with the Wind.

I will also note that the vast majority of reviews I’ve seen for this book are quite positive. So there’s clearly an audience for this–but for me, I can’t say I felt all that impressed with it. I said the story is about people making a dictionary, but surely there is more to it than that, right? Technically yes, I suppose. But in terms of its general plot structure… this story is just all over the place. I never could pin down what the story was actually going for with its characters. I could point out a few conflicts that appear over the course of the story, but each of them felt resolved almost as soon as they were introduced. The whole time I kept wondering what was the point of everything. When was anything interesting going to happen?

For a little context: I graduated an English major, so I feel it’s safe to say I have some interest in words. (Though not nearly as much as some of the characters in this book, of course.) I find etymology interesting, and am intrigued by the ways a word can evolve over the years. Words have their traditionally-defined meanings, and they also have their new meanings that naturally develop as people use the words in new ways in their everyday speech. I also have experience working on editorial teams for things like college journals, magazines, and textbooks, so I was very interested in learning how similar (and how different) the publication process for works such as dictionaries might be in Japan.

So perhaps that all played a part in my finding The Great Passage quite dull, because it never felt like it was diving that deep into the world of dictionary-making. Characters discuss what to write for a word’s definition from time to time, but it’s all rather surface-level stuff (e.g. [paraphrasing here] “Shouldn’t the definition of love be more inclusive than romantic feelings solely between a man and woman?” “Hm, I guess. You can love your cat too, right?”). The characters set out to work hard on the dictionary, and so they do. It’s a lot of hard work, but (SPOILER ALERT) they make the dictionary.

If the characters were more interesting, perhaps I would have still enjoyed the story anyways. Majime is an odd fellow with a lot of quirks (such as his hobby of, uh, watching people go up and down the escalator), but he loves dictionaries and will work hard on them. He falls for a chef lady, the granddaughter of the old woman who owns his apartment. And then they date, and everything works out shockingly smoothly for them. I briefly expected the story to be a kind of romcom, but it was already over before they faced any kind of trial. The other main character at the beginning is Nishioka, a confident rogue who loves The Ladies, and makes fun of Majime’s social awkwardness a lot. But then they become friends, sort of. It kind of just happens? And then Nishioka is transferred to another department. That kind of just happens too. (These things happen in life, I suppose.)

At any rate, later on we get a timeskip, in which we follow a brand new character: a new recruit named Kishibe, who has zero interest in dictionaries but somehow ends up working on this greatest dictionary ever. She decides to work hard on it, and so she does. I guess that’s just how life goes sometimes… You work on stuff. Toward the end I got the impression the story was meant to be a kind of inspiring teamwork/underdog type of story, but… meh?

The prose for this book is extremely simple and straightforward, even more so than a lot of light novels I’ve read. From what I’ve heard it was the author’s intent to release something more approachable than your average work of literary fiction, so perhaps that’s fine. It’s also a short novel–a quicker read than a lot of light novels I’ve read. With that in mind, I suppose I can recommend it to people who have a little interest in the subject matter, but don’t expect to learn too much about it and simply want an easygoing and breezy series of loosely-connected vignettes to pass the time with.

Cho’s Rating: Maybe Recommended… Or Maybe Just Watch the Anime Instead, IDK

Review: Ao Oni — Grudge (Vol 4)

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Ao Oni

For general information on this series: Ao Oni entry

This review is for the fourth volume of Ao Oni by Kenji Kuroda (with art by Karin Suzuragi). It is based on the Japanese indie game by noprops. This ebook was released by J-Novel Club in November 2018. All five volumes of this “Ao Oni” series have been released in English.

Vol 4 — Grudge

At the end of volume 3, I couldn’t help but wonder where in the world the story could possibly go next. As it turned out, the story went in a direction that made perfect sense, but also felt less dramatic than I was hoping for. But that said, the way things play out was still interesting, and it was nice to get more “screen time” for this light novel adaptation’s original characters: Shun (the “Ao Oni” game creator in-universe), Anna (the girl who can see spirits), and Naoki (the ghost who wants revenge on Takuro, Mika, Takeshi, and to some degree all his other classmates).

Anna in particular gets a lot of focus in this one, which is perhaps ironic given what happened to her in the previous volume. Her viewpoint in volume 4 is a fascinating one though, and is the sort of thing you can only get in a horror story. The “Grudge” of this volume’s title can refer to Naoki’s of course, but it can also refer to Anna’s. Things finally come to a head in that regard, and some long-awaited confrontations ultimately ensue at the “Jailhouse” mansion.

As hoped, some more questions are answered in this volume. We get to learn more about the origin of the ao oni monsters, and the nature of spirits is likewise made more apparent. New revelations are doled out at a steady pace, and tension ramps up during critical scenes appropriately. I especially liked what this volume did with Naoki, more firmly establishing him as the central villain for the series. He is a cleverly modern take on the vengeful ghost, and even gets a moment reminiscent of the classic 1998 Ring film.

Ao Oni: Grudge ends with a cliffhanger, and though it didn’t blow me away as much as the one for Mutation, it still left me anxious to find out what happens next. The fifth volume will supposedly conclude this series, and from what I can tell it should be able to pull off a satisfying ending. Hiroshi, Takuro, Mika, Takeshi, Anna, and Shun have each had a clear and engaging character arc, and there aren’t too many plot points that are left to follow up on. I look forward to getting the final truths behind the ao oni, the mansion, the game, and how they are all connected.

Cho’s Rating: Recommended

You can purchase the ebook online via sites like Amazon. This is an affiliate link, so a small percentage of sales goes toward this site.

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