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Toradora!

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Toradora!

English Title: Toradora!
Japanese Title: とらドラ! — (Note: Title derives from Tora [Tiger] and Dora [Dragon])
Author: Yuyuko Takemiya
Illustrator: Yasu
Translator: Jan Cash, Vincent Castaneda
Genre: Comedy, Romance
Original Run: March 2006 – March 2009
English Run: May 2018 – ongoing
Japanese Publisher: Dengeki Bunko (ASCII Media Works)
English Publisher: Seven Seas
Volumes in Japanese: 10 (Completed)
Volumes in English: 1 (In Progress)
Average Price Per VolumePaperback $14 — Kindle $8

Synopsis: Takasu Ryuuji has learned the hard way that appearances can be deceiving. For despite his inwardly sweet personality, his unintentionally sharp gaze and aggressive features give him the air of a delinquent thug, putting his chances at making new friends, let alone a girlfriend, next to zero. It’s Ryuuji’s first day of his second year of high school, and it seems as if things are looking up. He gets to sit in between his only friend, Yuusaku, and more importantly, the girl he’s secretly crushing on, Kushieda Minori. But just when he thinks the stars are aligned in his favor, he unwittingly crosses the most feared girl in school, Aisaka Taiga, making her into his arch enemy. To top it off, Taiga has moved in right next door to Ryuuji and happens to be Minori’s best friend! Can this school year possibly get any worse?!

Volume 1
Amazon — Barnes and NobleBook DepositoryRightStuf
Released May 8, 2018 — ISBN-13: 978-1626927957

Upcoming Releases

Reviews of Toradora!
(forthcoming)

Illustrations Sampler

Anime Adaptation
MAL Entry — 25 episodes — Aired October 2008 – March 2009
Crunchyroll (streaming) — Hulu (streaming) — AmazonRightStuf
Note: Adapted volumes 1 to 10 of the light novel series

Manga Adaptation
MAL Entry — 8 volumes — Published July 2007 – ongoing (English release by Seven Seas)
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If you liked Toradora!, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!


The Unwanted Undead Adventurer

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The Unwanted Undead Adventurer

The Unwanted Undead Adventurer

English Title: The Unwanted Undead Adventurer
Japanese Title: 望まぬ不死の冒険者 — “Nozomanu Fushi no Boukensha”
Author: Yu Okano
Illustrator: Jaian
Translator: Shirley Yeung
Genre: Fantasy, Adventure, Action
Original Run: October 2017 – ongoing
English Run: May 2018 – ongoing
Japanese Publisher: Overlap
English Publisher: J-Novel Club
Volumes in Japanese: 3 (In Progress)
Volumes in English: 1 (In Progress)
Average Price Per Volume: Kindle $7 – iBook $7 – Kobo $7
Note: Also available to read online through a J-Novel Club subscription. This series is currently digital-only.

Synopsis: Rentt Faina, a twenty-five-year-old adventurer, has been hacking away at monsters for a decade. However, without much talent for the job, Rentt finds himself stuck hunting Slimes and Goblins for meager amounts of coin every day. Little does he know, all this is about to change when he comes across a seemingly undiscovered path in the Labyrinth of the Moon’s Reflection. What awaits him at the end of the path, however, is neither treasure nor riches, but a legendary dragon that wastes no time swallowing him whole! Waking up a short time later, Rentt finds himself not quite dead, but not very alive either— He is nothing more than a pile of bones! Armed with nothing but his trusty sword, tool belt, and ghoulish new looks, Rentt sets off on his quest as a newly reborn Skeleton to achieve Existential Evolution, hoping to one day return to civilization with a more human form. Will Rentt succeed, or will the labyrinth consume him for the rest of his un-death…?

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Volume 1

Volume 1
AmazoniBookJ-Novel ClubKobo
Released May 2, 2018 — ASIN: B07BCY57G4

Upcoming Releases

Reviews of The Unwanted Undead Adventurer
(forthcoming)

Illustrations Sampler

Anime Adaptation
None

Manga Adaptation
MAL Entry — 1 Volume — Published May 2018 – Ongoing (Overlap, No English License)

If you liked The Unwated Undead Adventurer, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

 

 

Review: Mia and the Forbidden Medicine Report

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Mia Baumann has a purpose. She’s dedicated her life to finding the cure for Demon Claw—a crippling autoimmune disease both highly contagious and indiscriminate in its victims—after her mother was forcefully separated from her and placed in a sanatorium quarantine a decade before. Alongside the other major, mysterious disease of her home country, Angel Tears, the two illnesses are the only things afflicting the otherwise peaceful Isea Kingdom’s residents. With only the well-wishes from her deceased mentor and the scant letters previously received from her mother as encouragement, Mia enrolls as a pharmacology student at the prestigious Royal Academy with dreams of developing medicine. When she finds herself ostracized after helping the most popular boy at the Academy (as well as multitudes of her fellow first-years) and her ambitions for finding a cure are crushed in bizarre and insidious ways, she comes to realize her dreams might be much more complicated than she could ever expect.

Mia and the Forbidden Medicine Report is a single-volume shojo light novel of the type that publisher Cross Infinite Worlds specializes in. Like all of this publisher’s books, Mia is a digital-only release. Written by Fumi Yamamoto, translated by Charis Messier and including illustrations by Nikata, the story sticks to many (if not all) of the expected tropes of the genre, but surety in the story, mystery, characters and larger setting allows much to be forgiven. There is possibility and opportunity for a sequel, but this book is self-contained.

Shojo light novels are a rarity in the current pool of titles being licensed and released in English. In a market filled with male power-fantasy isekai, NisiOisiN and not much else, it can sometimes be easy to forget the breadth of titles available in Japan. Although relying on pretty basic shojo tropes, the depth of the world-building that Yamamoto has dedicated to the steampunk-infused magical society means that you barely get bogged by it. Trying to explain anything in this book in simple overview will do it injustice, but I’ll give my best attempt.

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First and foremost is the Royal Academy. The standards used for structures and the function of any generic ‘private school’ in fiction is nowadays common, and with the inclusion of a society that has magic the comparisons with Harry Potter seem inevitable. As such, the Royal Academy is broken into four schools:

  • Law, the most respected and oldest school. Only the children of the wealthy have a chance to join, and many are expected to become future leaders of the country. Their tie color is purple.
  • Magic, established to hone the skills of mages. Closely linked with the royal magical army, their ties are red to match (and hearken to) the red-irised eyes of mages with strong magic.
  • Medicine, established in a knee-jerk attempt to understand the terrible diseases throughout the country. This school requires the highest grades and hardest work, but is still regarded as lesser than the previous two schools. Their ties are blue.
  • Pharmacology. The least-respected of the four schools, the students study medicine development and uses. They work closely with the Medicine school, and are often regarded as a pair. Their ties are green.

Despite the similarities to a plethora of ‘magic academy’ stories, Mia and the Forbidden Medicine Report personally reminds me much more of Snow White with the Red Hair than Harry Potter, in both the writing and the character interaction. The motivation and single-mindedness of Mia in her goal is unwavering, and it’s wonderful to see a new light novel license lead by a head-strong young woman. Her personal convictions are understandable, even if they sometimes waver into irrationality, and motivate both the reader and her friends into supporting her cause.

The story starts with her enrollment. The ceremony is interrupted by a magic student afflicted with Angel Tears wielding a knife, and in the aftermath she is the only one to respond immediately to aid the injured. Years of working in a medical clinic under her former mentor taught her useful skills, and she sets about helping anyone in need. Amongst those is Felix—a Law student both handsome and smart—unhurt by the knife, but crippled in a major panic attack. Without missing a beat, she helps him re-steady his breathing as he regains himself, and her kindness and patience instantly endears her to him.

His friendship and attention brings along the hatred of the other girls in their year though, and the forced isolation finds her constantly bullied and berated by the entirety of the first years across all four schools. Things come to a head when others learn of her personal goal. When Mia announces her plans on finding a cure for Demon Claw as the topic of her Grand Plan (thesis, basically) for the next several years, she’s only met with disgust and horror from her fellow pharmacology students. Unlike Angel Tears, which has decades of research put behind it and moderate cures, Demon Claw is considered dirty and abhorrent. So contagious it can be spread by touch alone, the stigma is enough for most to recoil from. By admitting her mother’s condition, Mia effectively becomes a leper herself, and without anyone to join her research group, she despairs at the injustice.

The only exceptions to the social discrimination are Henrick, a serious medicine student whom Mia met during registration; Mathias, a hulking mage from the magic school and close friend of Felix; and Felix himself.

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From left to right: Mathias, Mia, Henrick and Felix

The four band together for the Grand Plan submission, and from there even more trouble arises—Professor Reuger denying each paper they submit, rising disagreements and jealousy within the group, and a physical attack on Mia from an unknown source just a few of the troubles the four encounter. With every passing day the realities of researching Demon Claw becomes even more dangerous, but she’s dedicated to following through. Self-reliant to a fault, there are also personal faults Mia needs to overcome, and it’s only after (properly) accepting the help of the others that the group uncovers a conspiracy far beyond what any of them would have realized on their own.

That barely scratches the surface, but the minutiae of detail that has gone into the book is overwhelming—which is amazing, as nothing ever came across as confusing or convoluted whilst reading it. Early on, there are several exposition passages that slow down the pacing in order to explain the world, the politics, the expectation, but they become non-existent the further along into the book you go. I wouldn’t say the writing was particularly riveting—with several instances of describing characters’ features or outfits in unnaturally fine detail, or obvious twists and character actions being used as if unexpected—but there was never a time I was particularly bored reading it. In fact, the most inconsistent part was the tone of certain mysteries. Felix and Mathias’ identities are a secret to Mia, but not the reader (or, not really), so the level of subterfuge they sometimes emphasized seemed farcical, especially when Henrick would break any doubt pretty immediately afterward. If it was a tactic by Yamamoto to show off Henrick’s intelligence, it backfired—especially with how lackluster both Felix and Mathias seemed about being secretive for most of the book.

In that sense, Mia and the Forbidden Medicine Report seems suited to a younger subset of readers than myself. The story has a moderate level of interesting aspects in regards to the setting, but fans of mystery may find this a little too obvious—this isn’t Christie, after all. Anyone familiar with male characters in shojo will recognize aspects in the three of our male leads, but I did appreciate the additional depth, vulnerability and genuineness that Yamamoto gave Felix to elevate him from just ‘the popular guy’. Neither Mathias or Henrick really had the opportunity to show much range of character, but they performed their roles sufficiently. If we ever see a second book, I’d be interested in knowing more about those two.

Mia and the Forbidden Medicine Report isn’t a must-read, but it does give a welcome break from the usual. Shojo and otome fans, or people looking for a female-led book, will likely enjoy this particular story filled with magic, dedication and intrigue, and the characters are endearingly genuine. Mia is a heroine you can’t help but want to support throughout the events, and the satisfaction of the ending is well-deserved.

Gee’s rating: Worth a look.

A Sister’s All You Need

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A Sister’s All You Need

English Title: A Sister’s All You Need
Japanese Title: 妹さえいればいい — “Imōto Sae Ireba Ii”
Author: Yomi Hirasaka
Illustrator: Kantoku
Translator: N/A
Genre: Comedy, Romance
Original Run: March 2015 – ongoing
English Run: May 2018 – ongoing
Japanese Publisher: Gagaga Bunko (Shogakukan)
English Publisher: Yen On (Yen Press)
Volumes in Japanese: 9 (In Progress)
Volumes in English: 1 (In Progress)
Average Price Per VolumePaperback $14

Synopsis: Itsuki Hashima is a novelist who’s hopelessly enamored with the idea of little sisters and is constantly surrounded by colorful characters. A world class genius and love-guru who’s beauty almost seems a waste on her. A girl who’s constantly troubled by her friendships, love interests, and can’t even find refuge in her dreams. A ridiculously talented illustrator. Each of them have as many problems and worries as the next and they never have a dull day together as they play games, travel, and work together. From the same author of the famous I Don’t Have Many Friends, Yomi Hirasaka!

Volume 1
AmazonBarnes and NobleBook DepositoryRightStuf
Released May 22, 2018 — ISBN-13: 978-1975326425

Upcoming Releases

Reviews of A Sister’s All You Need
(forthcoming)

Illustrations Sampler

Anime Adaptation
MAL Entry — 12 episodes — Aired October 2017 – December 2017
Crunchyroll (streaming) — Funimation (streaming)
Note: Adapted volumes 1 to 3 and small portions of volumes 4 and 5 of the light novel series

Manga Adaptation
MAL Entry — 5 volumes — Published December 2015 – ongoing (Japan Only)

If you liked A Sister’s All You Need, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

The Dark Maidens

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The Dark Maidens

English Title: The Dark Maidens
Japanese Title: 暗黒女子 — Ankoku Joushi — “Girls in the Dark”
Author: Rikako Akiyoshi
Illustrator: Booota
Translator: N/A
Genre: Mystery, Horror, Drama
Original Run: June 2013
English Run: May 2018
Japanese Publisher: Futabasha
English Publisher: Vertical
Volumes in Japanese: 1 (Completed)
Volumes in English: 1 (Completed)
Average Price Per Volume: Paperback $15 — Kindle $8 — Nook $10

Synopsis: At a prestigious girls’ school, a student has died. Itsumi was the most beautiful, charismatic, and popular girl at St. Mary’s Academy for Girls. She was also the president of the exclusive and tight-knit Literature Club. One week after her death, the members of her beloved club gather in her memory. But as they each testify to what happened in the days leading up to the tragic event, their accusations turn shocking— Why, and how, did Itsumi really die? In this glittering and gripping murder mystery, everyone has their own motivations and version of the truth. In its portrayal of the alliances, treacheries, and invisible tensions between friends and frenemies, The Dark Maidens keeps readers guessing and shows that what is sweet can just as easily be poisonous.

Volume 1 — The Dark Maidens
AmazonBarnes and NobleBook DepositoryRightStuf
Released May 29, 2018 — ISBN-13: 978-1945054891

Reviews of The Dark Maidens
(forthcoming)

Live-Action Film Adaptation
AsianWiki — Aired April 2017 (Japan Only)

Manga Adaptation
MAL Entry — 2 volumes — Published June 2014 – January 2015 (Japan Only)

If you liked The Dark Maidens, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

Review: Spice and Wolf – Spring Log II (vol. 19)

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Much like the previous volume of this series, Spice and Wolf – Spring Log II (volume 19) is a collection of short stories chronicling the lives of our characters far beyond the finale of the epilogue in volume 17. There is once again four stories which follow Lawrence and Holo, as well as their family and friends within the bathhouse.

More so than the previous short story collection, this book opens our main characters towards the future, rather than merely easing the readers into the jump of time the story has gone through. Despite Lawrence and Holo’s journey having come to an end, their story is far from over, and as a reader and fan, it’s exciting to see just how things will play out.

A Petal’s Fragrance and Wolf is the first story, and helps to set the tone of the characters’ moods. Starting with Lawrence’s struggles in finding a hand-mill within storage, the story thread quickly changes to reminiscence when Holo finds a stray bottle amongst their other things.

The larger plot of the short is fairly standard for Spice and Wolf, with the traveling pair going to a town on request of one of Lawrence’s many acquaintances. The specifics are almost arbitrary at this point for these types of interludesgot to a town, there’s a problem, fix it with an unexpected solutionbut the overall message of ‘turning lemons into lemonade’ is a familiar comfort for fans. The results of their adventure is the small bottle in storage, but it’s significance (and this story’s point) is about happy memories and cherishing past experiences. Long gone are the days of the traveling merchant and the Wisewolf moving from town to town, problem to problem, but the lasting impact of those travels on others as well as themselves makes the memories of the past even sweeter.

Sweet Fangs and Wolf is next, with Col and Myuri still living at the bathhouse before leaving for their own adventures in Wolf and Parchment. Once again written from Col’s perspective, it’s a simple story of misunderstandings and immaturity, showcasing both characters’ strengths and weaknesses. As I’ve mentioned previously, the dynamic between the two seems to still be evolving with Hasekura’s ideas, but this story was miles above the poor attempt in the previous Spring Log. The interactions between both have become much more focused on the siblings they are, rather than the uncomfortable possibility of romance they could be.

I really appreciate Hasekura taking hte time to build these characters into people we should care about; his character writing has always been full of compelling but flawed individuals, and it makes it just that much better to read them. His villains aren’t over the top diabolical with no motives, and his heroes have never been the perfect paragons of morality. They’ve all had good and bad, and they’ve all had their own reasons behind their actions.

I bring this up in relation to Sweet Fangs and Wolf because it’s crucially important recognizing that both Myuri and Col make mistakes in this story, and both are held accountable for those mistakes in the loving, but firm way that families do. At twelve years old, Myuri is a thrill-seeker, mischievous and doesn’t really have any perception on how her actions affect others. She drops fish in the baths, lets bears fight at the bathhouse and runs around without a care. From Col’s perspective, her immaturity bubbles over into selfishness and thoughtlessness, that when his hard work is ruined without so much as an apology, he snaps. It’s an important shift from their usual dynamic, and it’s a facet to the character we haven’t seen yet. As I said, both Myuri and Col make mistakes in this story, but they’re justified mistakes and very human. When things get resolved at the end, both characters have grown and matured a little, bringing a much more satisfying conclusion than expected, and leaving us with a hope for even more in the future.

Grooming Sheep and Wolf is a direct follow up from the story Muddy Messenger Wolf and Wolf in the previous book. On their way home from the festival in that story, the two meet a shepherd in need of help. His sheep dog was injured during their travels, and he leaves the flock to the couple with promise to be back soon after finding help for his dog. Suffering from the strain of chasing and catching sheep in town during the festival, Lawrence can barely move, so Holo takes the initiative to keep the sheep together. It’s through these events that the larger themeresponsibilitytakes root.

With the upcoming addition of Selim to the Spice and Wolf means that Holo thinks her life is going to change again. Having a new wolf around means she has to comport herself in a very particular way, or so she believes, and that struggle with feeling useless and wanting to be the leader her Wisewolf status grants her makes her frantic and upset. It’s the first time in over a decade that Holo has been aware of who and what she is, and it’s only with Lawrence’s reassurances that the two work things out.

The relationship between Holo and Lawrence is the reason, as a reader, it has been so compelling to follow along for so long. In many ways they are oppositescomplimentary but not identicaland the different perspectives mean the two is highlighted marvelously in this story.

The final story in this book is Memories of Spice and Wolf. Completely written from Holo’s perspective, it’s a rare look into the mind of the Wisewolf, and it’s heartbreakingly earnest.

Though she was happy, she was sad she could not give names to each and ever piece of her happiness.

As set by A Petal’s Fragrance and Wolf, this story is about memories. For Holo, who has lived for centuries and will live for centuries more, the quiet peaceful life she has led as a bath house master’s wife is a cursed blessing. She’s terrified that the simplicity of the days, repetitive in their events, will muddy together so much that she will have no idea of the time passingand then all too soon it will be over. With Col and Myuri having left, there’s little to keep her mind occupied, and she sinks into the subdued panic of losing her happiness in her own distraction. She makes a point to emphasize that she enjoys quarreling with her ‘companion’ (which is what she exclusively calls Lawrence) even if just to differentiate the days from each other.

For an inhuman being with a lifetime so out of sync with humanity’s, the time she’s spent with Lawrence is fleeting. Despite her love and devotion to him and their life together, there’s a finality to their relationshipwhich was also a feature of the previous Spring Log bookthat cannot be avoided. Holo wants a sea of memories to swim in, once this part of her life is over, and the boredom of routine scares her that she won’t have enough by the endtoo many days merging into one. It’s a bubbling hope for nostalgia of this current time. She once yearned for the snowy hills of Yoitsu, and now she yearns for the quiet love of the bathhouse, even before she’s lost it. It ties well with the other major theme of homesickness that Selim is going through, and finally loops back around to the reminiscent mood established by the first story in the collection. It’s thoughtful and quiet, and illuminating for a character we’ve followed up until now. For this story alone, this book is worth reading for fans.

As the second short story collection in these Spring Log follow-ups, volume 19 is by far the best. We see characters both new and old evolve within this collection, and for people wanting more insight to our favorite Wisewolf this is the best we’ve gotten yet.

Gee’s rating: Highly recommended

Ancient Magus’ Bride Novels Licensed by Seven Seas

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The Ancient Magus’ Bride

Seven Seas has announced a license for two light novel tie-ins for Kore Yamazaki’s manga The Ancient Magus’ Bride:

  • The Ancient Magus’ Bride: The Golden Yarn — releasing December 11, 2018
  • The Ancient Magus’ Bride: The Silver Yarn — releasing March 19, 2019

These will be released in English both as paperbacks and as ebooks. In Japan, they came out in September and October last year. (It looks like there were hardcover editions as well in Japan.)

Both volumes are anthologies of short stories written by a variety of authors, including a couple by Kore Yamazaki herself. Other authors include Yuuichirou Higashide (Fate/Apocrypha) and Yoshinobu Akita (Sorcerous Stabber Orphen). You can find fan-translations of blurbs for each short story via the following Tumblr links:

It sounds like some of the stories will focus on Chise and Elias, while others will focus on some of the side characters.

For those unfamiliar with the manga, it is a fantasy magic series, and currently has eight volumes available in English (also published by Seven Seas). Volume 9 will be out this September.

Synopsis: Hatori Chise has lived a life full of neglect and abuse, devoid of anything resembling love. Far from the warmth of family, she has had her share of troubles and pitfalls. Just when all hope seems lost, a fateful encounter awaits her. When a man with the head of a beast, wielding strange powers, obtains her through a slave auction, Chise’s life will never be the same again. The man is a “magus,” a sorcerer of great power, who decides to free Chise from the bonds of captivity. The magus then makes a bold statement: Chise will become his apprentice–and his bride!

The manga recently had an anime adaptation, which you can watch all 24 episodes of streaming on Crunchyroll.

Summer Reading Program 2018 Schedule

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Summer Reading 2018

It’s time for some summer reading! We will read six books over the next few months and discuss them on this site. Each book will get one post, which will be an informal conversation-style editorial put together by two or more of the writers for English Light Novels Dot Com. It’ll be fun, so you should all pick up some of these books to read and leave your own comments on the upcoming posts.

Here is the schedule:

June 16thAo Oni (vol 1) — AmazoniBookJ-Novel ClubKobo

June 30thThe Dark Maidens AmazonBarnes and NobleBook DepositoryRightStuf

July 14thLegend of the Galactic Heroes (vol 1) — Amazon — AudibleBarnes and NobleBook DepositoryRightstuf

July 28thSword Art Online Alternative: Gun Gale Online (vol 1) — Amazon — Barnes and NobleBook DepositoryRightStufNote: Releases on June 26th

August 18thShinonome Yuuko Loves Short Stories (vol 1) — C.E. Light Novel TranslationBaka TsukiAmazon JapanBooks KinokuniyaYesAsia

September 1stWorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us? (vol 1) — Amazon — Barnes and NobleBook DepositoryRightStufNote: Releases on July 31st

The dates might change slightly, but the plan is for a couple books to be discussed each summer month. I think there’s a good variety of titles here, so I hope all of you can find at least one novel you’d be interested in!


Review: Baccano – The Rolling Bootlegs (vol. 1)

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This first volume has been previously reviewed by Cho.

The Baccano! light novels are likely one of the most triumphant licenses for fans since the wave of interest in the medium began in the West. Originally written by Ryohgo Narita in 2002 for the Dengeki Novel Prize, this first story found enough popularity to spawn it into a now 22+ volume ongoing series, set in continuity with his later works Durarara!!, Etsusa Bridge and Vamp! (The latter two yet unlicensed) à la CLAMP or TYPE-MOON.

Its incredibly popular anime adaptation from 2007 is where I would expect majority of people to have been first introduced to the the crazy world of Prohibition, gangsters and alchemists (myself included), and made Baccano a beloved franchise (and coveted license) years before light novels were an established and viable part of the western otaku market.

This first book, subtitled The Rolling Bootlegs, was released by Yen Press in May 2016 in English, with seven books having been released since. Following a near-overwhelming amount of characters, this book established the multi-POV style Narita is now known for, whilst never becoming complicated or hard to follow.

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First, we start at the end. The opening is aptly named Epilogue 1, following a Japanese photographer visiting New York City in 2002. After being saved from a mugging, he meets a man, who tells him an interesting story…

Then we have the prologue. The year is 1711, and a boat full of pilgrims is sailing to find the New World. Banished from their homelands, they are all in search of knowledge far beyond current human understanding. On a dark, stormy night during their trip, they manage to summon a demon with alchemy…

Next is our main story during 1930’s New York. Prohibition has gangs of all sorts fighting and scheming over territory and honor, and we’re thrust into one crazy day where everything changed…

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Baccano is a lot to understand at first glance. The word ‘baccano’ in Italian means ‘a noisy racket’, and the series certainly lives up to that. Framing this particular volume with the ‘let me tell you a story’ I think helps ease the reader into everything that is to come, and allows Narita to establish such a dense world without having to hand-hold us throughout. We have the main historical setting of New York, right in the thick of Prohibitionan iconic and exciting setting for any storyinfused with the fun ridiculousness of supernatural possibilities, and a crazy cast of characters to go alongside it. It’s ruthless with it’s era-appropriate violence, but the writing never drags into ‘torture porn’ or overwhelming despair. In fact, The Rolling Bootlegs is a light-hearted book even when filled with shoot-ups and knife fights. Narita has a great talent for intuitive and natural comedyespecially with dialogue and narrationand the translation done by Taylor Engel for Yen On has retained it perfectly.

To anyone previously familiar with the series, it’s well known that Baccano (and Durarara) doesn’t truly have ‘main characters’ that we follow exclusively. The point of view shifts throughout chapters with freedom, and instead we follow a group, a community, as this crazy day unfolds. In saying that, the two who drive this book are Firo and Ennistwo sides of this story who slowly spiral together towards the grand finale.

As a young man barely beyond his teens, Firo is joining the Camorra as their newest member. Having grown up on the mean streets of New York alongside mafia and the poor, he’s willing to dedicate his life to the ruthless family he’s found, regardless of the danger. He’s young and passionate, but easy-going and not unnecessarily cruel. His advisor, Maisa, fusses over him and the risk he’s taking by joining the family, but his fighting skills are top notch, and he’s good enough to tussle with the lot of them.

On the opposite side is Ennis. Un-aging and empty, she is a hapless puppet and victim of the only father she has ever knownher life revolving around assisting and protecting his goals without question. She’s an assassin with no ethical or moral objections, because she was created that way, but the quiet whispers in the back of her mind push her to finally think, question things, for herself.

These two run into each other one afternoon; Firo preparing for his acceptance ceremonial test, and Ennis trying to find the man who has stolen a very special liquor. From this point on, their fates and circumstances are changed, all thanks to the crazy people in this crazy town.

Because, as I said, these two are hardly the only characters in this book, and this is not the only plot line(s) we’re following. We also have Isaac and Miriafan favorites and the most comedic of the lottwo idiot thieves who are now trying to counteract their bad crimes with good ones; Dallas Genoard, a rich-kid thug who causes more trouble than he can handle; the Gandor brothers, a small mafia family with a long friendship with Firo and an understanding with the Camorra; and the mixed group of pilgrims from 1711, who spoke to a devil and unleashed an amazing gift and a terrible curse upon themselves.

Baccano is a very easy read. It engages the audience with the fantastical and exciting story, but also with the wonderful character writing and interactions. For fans of the anime, the events aren’t anything new, but there are still numerous things to enjoy about the novel. This is a series for people tired of current isekai or high school settings within light novels; there’s nothing quite like Narita’s use of switching POVs, and he’s established himself as an author with a very unique and enjoyable voice. The translation on this particular book maintains the easy readability and flow of the novel perfectly, and I commend Yen On for their beautiful hardcover and dust jacket release.

For both new and existing fans, Baccano is a must read. Come join the ruckus!

Gee’s Rating: Highly recommended

Review: Fullmetal Alchemist – The Land of Sand (Vol 1)

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Edward and Alphonse Elric are traveling around the country in search of the coveted Philosopher’s Stone. Rumors lead them to Xenotime, a mining town that can no longer mine, and who claim to be working on creating a Stone with the help of two young alchemists–the Elric brothers?!

Faced with a town desperate for their gold mining to return, and impostors already claiming their names in town, it seems like Ed and Al will need to uncover more than just the truth of alchemy’s greatest secret if they want to find the Stone in Fullmetal Alchemist – The Land of Sand.

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2005 seems like forever ago. Over ten years have passed since this book was released in English by Viz Media, and it would have been right at the height of fan interest for the Fullmetal Alchemist franchise. Written by Makoto Inoue, the series of books boasts illustrations from the mangaka herself, Hiromu Arakawa, and was so well-received that the story in this book was even adapted and included in the original 2003 anime.

For anyone with even a glancing knowledge of Japanese media, Fullmetal Alchemist should be a familiar name. Since the debut of the manga in 2001, Arakawa’s story has persevered within the collective consciousness of otaku across the globe, and has had not only two anime adaptations, but anime films, several video games, countless references in other media from both inside and outside Japan, and even a Netflix-produced live action film since. It’s a series with a plethora of interesting and complicated characters, and lends itself well to larger world building within all of these non-manga adaptations.

In particular with this book, and as previously mentioned, you don’t need to have read it to know the two stories thanks to the creative team of the 2003 Fullmetal Alchemist anime. The first (and main) story was adapted in episodes 11 and 12 (The Other Brothers Elric: Part 1 and 2), and the more comedic short story in the latter half of episode 37 (The Flame Alchemist, The Bachelor Lieutenant & The Mystery of Warehouse 13).

That doesn’t mean this book isn’t worth reading though–quite the opposite! It’s a testament to Inoue’s understanding of the characters that they behave and speak just as expected, and are able to merge pretty perfectly with the new characters and setting without missing a beat. The main themes of the book embody those of the manga with a surprising accuracy, and it’s very easy to read.

The best part is that Fullmetal Alchemist lends itself to early side stories. There are years of unexplored adventures from when Ed first received his license (age 12) to when the main manga plot starts (age 15), and  The Land of Sand slips seamlessly into this period of time. Amestris is a large country with multitudes of small country towns, and Xenotime is just another.

Previously famous for their mines and the goldware the residents produced, the town is struggling now that it seems that all the gold is gone. The land is arid and sandy thanks to the loss of vegetation from digging out the earth, and residents struggle with both their funds and their health as most wait for the miracle promise of the Philosopher’s Stone. Mugear, a man who made his wealth at the height of the gold rush, is heading the research and experimentation into the Stone. In this process he brought on two promising young alchemists claiming to be the Elric brothers (much to Ed’s chagrin when he gets kicked out of the inn for ‘lying’ about his name).

The imposters, they discover after breaking in, are indeed two brothers–using the Elric name to find funding for their research, and aid the search for their missing father. They have the heavy weight of hope placed on them from the desperate townsfolk and the greedy man who hired them, and it’s obvious the two are slowly crumbling under the expectation and their lies. The Red Water they have been experimenting with is running out, and there’s no way it could help the town in the state it’s in. For Edward and Alphonse it’s another dead end in the search for their bodies, but the small seeds of hope and change in the minds of the town is more important for Xenotime than the stone ever would have been, and they help expose Mugear as the duplicitous and greedy schemer that he is.

The Land of Sand isn’t long or complicated, but it’s a solid story about the dangers of relying on a quick fix or easy solution, rather than putting in hard work to create a better future. The townspeople of Xenotime grew so complacent when times were good and gold was bountiful, that none of them were prepared for the downturn. They ruined things for short-term profits, and are reaping the consequences–something all too reminiscent of real-word issues and events. The new characters in the story, the fake Elrics, are the highlight–playing off of each other and the real Elrics very well. The scenes between both younger brothers in particular were great to read as they commiserated over their worries for their older brothers, and I am personally glad the older anime series gave this mini story its time to shine.

The short single-chapter story at the end is purely comedy, following Colonel Mustang and his team in Eastern Command. Rumors of ghostly cries and a mysterious warehouse 13 are spreading through the lower ranks, and Feury, Havoc, Breda and Falman convince Roy to help them solve the mystery (if only just to stop Feury crying). What unfolds is a hilarious series of misunderstandings the men go through, which culminates with Hawkeye (truly, the only rational one of the group) unknowingly solving everything with the truth. It’s a funny little interlude, and gives a good idea of the dynamic within Mustang’s team.

The Fullmetal Alchemist novels as a whole are fairly easy to recommend for any fan. This book–like the rest–is easy to read and reminiscent of the main story. The book is short, and suitable for younger readers (middle school age) too, which would have been the majority of FMA fans at the time it was published. I think it’s a great intro into light novels as a medium, being easy-to-read and an approachable connection to the popular franchise (without being the source material). The biggest problem is that there’s no ‘new material’ in this book for 2003 anime fans, but I doubt subsequent books will have this problem.

As a part of the larger FMA franchise, The Land of Sand is good for pre-existing and new fans alike. It’s self-contained and can be read without knowledge of the animes or manga, but also gives some depth and world-building for those already familiar.

Gee’s recommendation: Good for fans, or as an introduction to the medium.

Little Princess in Fairy Forest

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Little Princess in Fairy Forest

English Title: Little Princess in Fairy Forest
Japanese Title: おとぎの森の幼女姫 — Otogi no Mori Youjo Hime
Author: Tsubaki Tokino — 時野 つばき
Illustrator: Takashi Konno — 今野隼史
Translator: Charis Messier
Genre: Fantasy, Adventure
Original Run: April 2017
English Run: May 2018
Japanese Publisher: White Books (Hakkou Shuppan)
English Publisher: Cross Infinite World
Volumes in Japanese: 1 (Completed)
Volumes in English: 1 (Completed)
Average Price Per Volume: Kindle $8

Synopsis: Little Princess in Fairy Forest is a breathtaking saga of a young princess, Lala, who must fight for her very existence with the last of her royal knights, Gideon Thorn. Her pursuer, the tyrannical Lord Designs Siegfried, will stop at nothing to wed Princess Lala and legitimize his reign—he’s already massacred the rest of the royal family. Princess Lala and Gideon are doggedly pursued even as they flee into the Forbidden Forest, a land relegated to myth and legend because of dragons—the mortal enemies of knights. Join Lala and Gideon as they flee for their lives in an attempt to survive the traitor’s deadly machinations. Gideon is willing to do anything to protect his princess, even if it means engaging the mighty dragons in combat.

Volume 1
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Released May 31, 2018 — ASIN: B07BYJGZ8D

Reviews of Little Princess in Fairy Forest
(forthcoming)

If you liked Little Princess in Fairy Forest, you might also want to try…

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Napping Princess

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Napping Princess: The Story of the Unknown Me

English Title: Napping Princess: The Story of the Unknown Me
Japanese Title: ひるね姫 〜知らないワタシの物語〜Hirune Hime: Shiranai Watashi no Monogatari
Author: Kenji Kamiyama
Illustrator: Hana Ichika
Translator: ?
Genre: School Life, Sci-Fi, Movie Adaptation
Original Run: February 25, 2017
English Run: June 5, 2018 (Complete)
Japanese Publisher: Kadokawa
English Publisher: Yen On
Volumes in Japanese: 1 (Complete)
Volumes in English: 1 (Complete)
Average Price Per Volume: Paperback $14 — Kindle $8 — Nook $8

Synopsis: When Kokone sleeps she dreams of Heartland, a place full of technology and warring machines, where she’s the Princess Ancien who possesses magical powers. But when events in her dreams and real life start to intersect, Kokone has to run from bad guys in both worlds. Will her dreams provide a way out, or get her into deeper trouble…?

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Napping Princess

Volume 1 — The Story of the Unknown Me
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Released June 5, 2018 — ISBN-13: 978-1975326081

Reviews of Napping Princess
(forthcoming)

Anime Adaptation
MAL Entry — 1 Movie — Released March 18, 2017
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Note: Light Novel is an adaptation of the movie

Manga Adaptation
MAL Entry — 2 volumes — Published April 2018 – October 2018 (English release Yen Press)
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If you liked Napping Princess, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

Review: Wolf and Parchment – New Theory Spice and Wolf (Vol 2)

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Wolf and Parchment 2

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Myuri and Col find themselves in the mysterious islands off the coast of Winfiel in a bid to help Hyland with her cause. Looking for supporters for the kingdom if a holy war breaks out, the pair are entangled in a town filled with piracy, heresy, and undivided dedication to an idol called Black-Mother.

Following directly after the previous novel in the series, Wolf and Parchment volume 2 starts with Col finally recovering from exhaustion after three weeks of bed rest; Myuri by his side, nursing him back to health. After the events of volume 1, tensions between the Church and Winfiel are at an all time high, and Hyland knows there is an ever-increasing possibility that war will bubble up—and without outside support, the Kingdom of Winfiel is powerless against the overwhelming reach of the Church.

I didn’t mention it much during my review of the last volume, but the friendship and dynamic between Col and Hyland is an interesting one. Both devoutly dedicated to religious belief and wanting to correct the corruption within the Church, means they have common goal despite their vastly different backgrounds, but Col is always acutely aware of the power structure and balance between them. They are friends and associates, but Col regards himself as a vassal for her use; a pawn helpful for the upcoming trials, and exploited when needed. His dedication to her cause increasingly fueled by his own standards of moral justice. This is the reason why, then, that he has no qualms following her direction. Heedless to his own safety, Col barely hesitates before agreeing to travel into treacherous areas in an attempt to convince pirates of their cause. The only reason for his hesitation—Myuri, of course.

The daughter of the Wisewolf is much the same, and acts as the outside voice to her brother’s sense of duty. Her attempts to convince Col that they should leave everything behind, go back to their mountainous town of Nyohhira, and live peacefully. It’s a far cry from the young girl excited for danger and adventure now that she’s seen the consequences, and her quiet plea for the mundane of an untroubled life is still asked, even when she knows it’s futile. Col’s major conflict is for her safety—knowing she won’t return home alone, but also knowing he can’t abandon a cause that he believes is right—finally deciding to bring her along. Myuri is still the (uncomfortably) aggressively forward preteen with her romantic interest, but she’s not insistent on escaping her hometown any more; wanting to return to the protected bubble of the bath house her parents run—and if not that, than to accompany Col to the best of her ability.

Ultimately, they go to appeal to the infamous group of pirates occupying a small and treacherous group of islands nearby. Hiding their reasons under the excuse of wanting to open a monastery, Col and Myuri discover how the town is splintered under the threat of slavery, sickness and lack of income. Dozen before them have come to open monasteries, none were successful. In the dour isolation, the heartbreaking breakdown of the town’s spirit can clearly be understood. It becomes very obvious how the current situation arose from desperation—worshiping the Black-Mother, who performs miracles at sea.

Made from solid jet, the islanders keep the carved Madonnas as a blessing for safe sea travel. Under the protection of the Black-Mother, no one drowns—even when swept away in terrible storms. Multiple accounts support the story as more than the fanciful tales of sailors; for the religious-minded young man its a question on whether it qualifies as a miracle, or heresy.

The one at the center of the Black-Mother movement is Autumn; a man wholly submerged in his faith that it has corrupted him from accountability. He uses the promise of absolution to justify sins—the promise of necessary evils being forgiven under the eyes of the Black-Mother, as her grace and love is unlimited. Living in almost total destitution and famine in order to live in justice, Autumn embodies the most humble and hardcore sides of faith. For Col, who also uses belief to guide his life, it’s a crazy difference to what he’s encountered before—but not one he can fully deny or reject. There’s a begrudging respect for the man, even when Col disagrees with his choices.

It’s a interesting addition to how things have changed from the original Spice and Wolf—the dichotomy between the Church and paganism has settled into an almost non-issue now that the Church no longer feels threatened, but has now started to see the emergence of several smaller pockets of local tradition and superstition.

The last part of the book not only has scheming and action, but an interesting reflection. There’s melancholy and regret as Col accepts his own end, quickly followed by fervent desperation to save Myuri. The responsibility, the quiet understanding of mortality when faced with it, is done beautifully. It’s an introspective look at how the characters interact and rely on each other, which I have always thought Hasekura excels at. The conclusion works beautifully as a example of hope from deliberate dishonesty; of relying on something, even if it’s not what you expected.

The book has a slow start, but once the plot crescendos it’s impossible to stop. This was a growing book for Col, being exposed to the multitudes of kindnesses, even with unkindness. He’s directly confronted with the power of faith for the desperate, and the power of faith under human control. It’s an interesting book that manages to be surprising even from the first half to the second, and it makes me excited for future Wolf and Parchment novels.

Gee’s rating: Very good.

Cross Infinite World: Dawn of the Mapmaker

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Dawn of the Mapmaker: The Surveyor Girl and the Forbidden Knowledge

Cross Infinite World has announced a license for the four-volume high fantasy series Dawn of the Mapmaker: The Surveyor Girl and the Forbidden Knowledge. It was written by Akira Nashiki and will feature illustrations by MonoKubo (some of his artwork can be found here). The story is titled 九十九の黎明 -測量少女と禁じられた知識- in Japanese, and appears to be a web novel series on Syosetsu (similar to other titles picked up by Cross Infinite World).

The ebook for Dawn of the Mapmaker is planned to release in English on July 31, 2018. It is already available for preorder on Amazon.

Volume 1

Synopsis: “Knowledge is power, and you shouldn’t possess this knowledge.” In an age where mapmaking is a lost art, Unen hides her skill from the world at large. But when she accepts a local landlord’s request to survey the boundary between his land and that of a neighboring lord’s, her maps accidentally give away her existence to a master swordsman and a cunning mage—a duo who have been hunting down the man who taught her the forbidden knowledge of mapmaking. As one of the rare few capable of creating maps with bird’s eye precision, Unen’s fate hangs precariously in the balance as she endeavors to survive in a world of people who want to own her or see her dead.

Review: Little Princess in Fairy Forest

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Running for her life after the murder of her parents, Princess Lala Lilia finds herself under the protection of the last  surviving member of the royal knights, Gideon Thorn. In their escape from her pursuers they ride deep into the Forbidden Forest, coming face-to-face with a centuries-old crimson dragon–the mortal enemy of knights, and interested in the little princess himself.

Little Princess in Fairy Forest was originally released in Japan in 2017, and is now available in English thanks to Cross Infinite Worlds. Written by Tsubaki Tokino and illustrated by Konno Takahashi, this story is self contained to a single volume.  Cheris Messier is once again the translator, like in the previous Cross Infinite Worlds title I reviewed, and works hard with the changing perspectives throughout the book.

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Going in, I didn’t know what to expect from this title–like most titles from this publisher, there seems to be very little information or opinion available outside of the license announcement–but the gorgeous cover grabbed my attention immediately. The synopsis of a young princess having to escape her uncle’s attempts at capturing her for the throne was intriguingly similar to a fairytale, so I eagerly awaited for my own copy to join my Kindle library.

First of all, when they say little princess, they mean little princess. Lala is only six years old during the opening prologue and chapters, and definitely acts her age. As I had hoped, the story truly is a fairytale with dragons, witches and fairy godmothers–but also includes the twisted, terrifying scenarios of the Brothers Grimm. This book was viscerally horrific to read in parts, which was as surprising as it was riveting. It never dips into being too oppressively dour though, as all three of our main characters keep the story’s momentum going.

Initially I was hesitant when the book opened with Lala’s first-person perspective–afraid that the book would be a vehicle for self-insert more than anything else. This was not the case, however. Speaking on the prose itself, there’s a frequency of switching perspectives–sometimes the reader being in the character’s head, and sometime from the perspective of a narrator. It was a little hard to get into at first, but the sudden shifts work well for the story’s structure and gives the plot and characters more depth of motivation than if it had been written in only one way.

Our main characters consist of the Little Princess herself, a headstrong young girl who adapts well to new situations; Gideon, a middle-aged knight, who cares far more about duty and loyalty than his black sheep status would suggest; and Spike Scale, the 200-year-old dragon who loves knowledge, and is overly protective of the people he cares about.

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Initially at odds, the two men decide to work together in protecting Lala from her Uncle, and with the help of some fairy godmother magic, the three hide safely in their tree house. Gideon and Spike’s dynamic is very much the ‘odd couple’; as mortal enemies, their impulse is combat, but their shared concern and affection for the princess brings them into a mutual understanding. Personally, these two felt like the main characters of the book–even though the princess’s story has resolved, I wouldn’t mind following the bickering knight and dragon on more adventures.

Like all good fairytales, we need some villains–and boy, do we get some pretty major villains in this book. There is of course, Princess Lala’s uncle Lord Designs (related by marriage) whose drive for power not only caused the death of Lala’s parents, but had him make a deal with the Devil Himself using his only daughter’s soul as collateral. That daughter, Megan, is a soulless being with little attachment to anything in the world, and an icy indifference to morality. With the fickle help of a witch who spins magic like spiderwebs, the castle–and Lala Lilia–is doomed to fall into evil hands.

The deaths–and there are plenty of them in this book–are harrowing to read. The violence is never obscured behind the fancifulness of the setting, and the extreme body horror and moral injustice hearkens to classic fairytales–the cost of what is won is barely comparable to what was lost.

That shouldn’t scare you away from this book, though. I actually really appreciated seeing the consequences of all of our characters’ actions, and how even good things can lead to bad things. This is helped thanks to the ensemble cast, because the composite story is much more fascinating than the singular.

The biggest problem the book had was the emphasis on breasts or sex whenever relevant in Gideon’s point of view. Aside from being wholly unnecessary, it ground the otherwise-wonderful pacing of the book to a halt whenever it happened. I’m no prude, and I don’t mind ‘fanservice-y’ interludes or asides if done well, but it seemed inappropriate with the tone of the rest of the book. It just seemed a shame to rely on boob humor for the character when Tokino already gives us a fun comedic repertoire between Gideon and Spike. It’s a small part of the overall book, but it was noticeable whenever it happened.

Despite not knowing what to expect going in, the book was captivating. Little Princess in Fairy Forest has so much going on, I barely brushed the surface of it. It’s a marvelous little book, and at a single volume it’s not a huge commitment of time or expense. If you enjoy found family, creative re-imaginings or pure fairytale villainy, I can’t encourage you enough to read it.

Gee’s rating: Very Good

You can purchase the ebook online via sites like Amazon. This is an affiliate link, so a small percentage of sales goes toward this site.


Summer Reading: Ao Oni Discussion

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Ao Oni

It is time for a discussion of Ao Oni volume 1, featuring me and Justus! This post will contain lots of spoilers, so it’s recommended you read the book first. (AmazoniBookJ-Novel ClubKobo)

To check on the Summer Reading Program 2018 schedule, click here.

Volume 1

Justus: Hey Cho
Cho: Hello Justus! Thanks for joining in for this
Justus: No problem! I’m hoping to join in on some of the others. Particularly Dark Maidens.
Cho: Yes, that one sounds good. Glad to have some horror titles to read
Justus: Well this one certainly fit the bill!
Cho: I enjoyed this one a lot more than I expected to
The original Ao Oni game isn’t exactly high-quality, and the recent anime shorts and film were quite… bad
But I enjoyed reading this
Justus: I’ve never experienced Ao Oni in any other way, so this was my first time with this story
Cho: This adaptation definitely does its own thing, but also feels faithful to the original source
Justus: I think it helped that the book didn’t try to expand things too much. The length felt just about perfect
It got to the point, killed people at a steady pace, then wrapped it up 🙂
Cho: Yes, it was well-paced
It also felt like it actually had a point, thanks to Shun’s character arc
Justus: Yes. Initially I felt the ending was a little bit of a let down. I’m not a huge fan of resets. But Shun having learned and grown from the experience at least made it feel like there was payoff
Cho: I think I’ll dive into the ending more later — for now, I’m curious on your thoughts regarding the general plot and Shun’s growth in particular
The original Ao Oni story is simply “four friends go to a haunted mansion — try to get out alive”
This novel adds Shun and Anna, and offers an explanation of sorts regarding the monster and everyone going to the mansion
Justus: Ah. I can see then how the game’s narrative would be pretty stripped down. Anna and Shun were the driving force of this whole thing. Shun gave us a sympathetic character and someone to root for. I didn’t feel like the other characters earned that sentiment as much. Maybe Mika near the end, but the others felt either too cold, or were such huge jerks I didn’t feel much for them
Cho: Pretty much our only character development in this is for Shun, yes
But I think that may be the purpose of later volumes, to expand on the rest of the cast
Justus: Yes. Even Anna feels like she is there more as a plot device than an actual character
I haven’t looked at what the other volumes are about
Cho: Anna was an interesting character at first, and I did suspect an antagonistic reveal for her due to her connection with the supernatural — but in the end she was mostly just there for the sake of the main plot twist to work
Justus: Yes. I thought there’d be far more development with her when she revealed the whole “Takuro killed my parents” thing. I was looking for her character to have some kind of resolution.
Cho: Her arc is certainly not resolved, and I imagine we’ll have more to learn about Takuro as well at some point
Justus: Well, I’m taking it from the afterward that the writer intended for this to be more than just the one book, so that’s entirely possible.
The one thing I wasn’t sure about with Shun was the whole “I designed a game and posted it” thing given his introverted personality
You and I are both writers, and I think we know it takes a certain amount of courage to create something and post it. I had doubts that Shun, given his personality, would be able to do such a thing
Cho: I think to some degree interacting on the internet with others can feel “safe” compared to real life, and I imagine Shun is not really putting himself out there in connection with his game
Justus: Fair enough
Cho: In Japan especially, it seems many creative-types use pseudonyms and don’t use their own photographs or talk too much about themselves
I notice this with lots of mangaka and LN artists
Justus: Ah, maybe that’s a cultural difference. In North America it seems like anything creative you post ends with people being curious about the person behind it. Maybe it’s just more in our nature to be out there and expect others to do the same
Cho: I think anywhere in the world, some creative-types are going to have… stronger personalities than others, ha ha
Justus: Very true.
Cho: But for Shun, I think he’s just focusing on a hobby to take his mind off the daily bullying he faces
And it’s also a kind of small revenge for him, naming the victims after his bullies
Justus: Yes, that’s what I was going to say!
Creating a safe world where he has control over his own fate and that of his tormentors
Cho: He’s the creator of his own isekai
I think this point ties directly into Japanese ghost stories in general, and this story’s main plot twist
Your typical ghost story has someone die unjustly, and typically lingers on by being fueled by some very strong emotion
Justus: Yes, it’s a classic setup for ghost stories. So the game and movie never gave that background? It seemed so integral to making the narrative cohesive and to have a point

Cho: The game’s approach I think is to keep the ao oni a complete mystery, leave it up to players to decide what it is
Justus: I guess. But this story didn’t strike me as being the type that needed that level of player introspection. I mean, Yume Nikki was a whole other beast. Even though it was also a game adaptation, it still was filled with far more imagery and ideas that made me wish for it to not explain everything.
Cho: Well, it’s definitely not like Yume Nikki in that respect — I just mean something like “is the ao oni the result of some mad scientist’s experiment?” etc
There was nothing deep about the original Ao Oni — it’s just a puzzle-solving game where you have to run away from the monster you can’t fight against
Justus: Right. I recall a time when those kinds of games were more popular. I guess more recently we expect everything to have a more cohesive narrative. So what about Hiroshi? His character just screamed for more exposition to me
Cho: Hiroshi is who you play as in the game, and I don’t recall anything significant ever revealed about him
Justus: Oh, ok
I guess that makes sense
as the player you would need to analyze things and study them
Cho: I actually quite liked this book’s take on him — they take his smarts (implied by the player solving all the puzzles) to an extreme, and make him kind of creepy (as Hiroshi doesn’t react strongly to any of the horror that unfolds in the game)
Justus: Yeah, there’s definitely something not quite right with him. Especially with how coldly he inspects the remains of his classmates
Cho: It’s a kind of “what if this aspect of video games we take for granted were applied to the real world”
Justus: It would’ve been cool to see it taken a step further and have the others call him out on it.
Cho: The parallel between him and Takuro was made briefly, and would be interesting to see expanded upon
Justus: You mean the cold, analytical versus the hot-headed psychopath? 😉
Cho: Yes, but at the same time, they both have a stark disconnect from humanity
I actually have to wonder how much Hiroshi cares about Shun, in retrospect
He was more interested in the game itself, and in bugs (lol)
Justus: That’s a good point. But there is definitely some relief in Hiroshi’s expression when he realizes Shun is with him. It felt to me like he’d worried Shun was lost
Cho: I have Zaregoto vol 2 fresh in my mind still, so I find this aspect interesting
Justus: LOL!
I don’t think Hiroshi is quite that level!
When I read it, I got the sense this was a part of his own defense mechanism
Cho: In part he plays the common role of the skeptic in horror stories
Justus: Shun is quiet and awkward. Hiroshi is bold but disconnected
Aside from Takeshi, I got the sense all these characters are damaged and hiding behind masks
And even Takeshi I think has something he hides, it’s just not as extreme nor obvious given his role in the story

Ao Oni

Cho: One of the things I liked about this story was how it offered multiple possibilities regarding the mystery along the way, and even at the end I can’t say everything is all cleared up — there may be multiple factors behind the whole ao oni phenomenon
I suppose I can’t help but think of Higurashi When They Cry when it comes to the whole question of “is this all completely supernatural, or is there somehow something scientific behind this”
Since this series likely features the same sort of resetting time gimmick, I can see things going back and forth
Justus: Or perhaps a single truth that can only be accomplished by repeating the scenario in different ways?
Cho: They’ll eventually have to all work together, I imagine
But not before they’re all killed a bunch more times, right?
Justus: Well that’s half the fun, right?
Cho: The violent and depressing time loop is a popular trope it seems — things like Steins;Gate, Re:Zero, and Madoka Magica all come to mind too.
Justus: Even Groundhog Day and All You Need is Kill
I think it’s a play on the human desire to have a redo.
And probably an author’s assertion that no one gets it absolutely perfect with only one go.
Cho: Glad we threw Groundhog Day in this list, ha ha
Justus: You’re welcome! 🙂
Cho: This all fits with Ao Oni franchise itself too, since it keeps coming back somehow
Justus: Haha, I think that’s just because people can’t overcome their curiosity. We’re told something is bad, and we naturally wonder, “Just how bad could it be?”
Cho: It can be worse than we imagine, unfortunately
Justus: Blue Monsters going NomNom on you
Cho: But it’s a nice message the story ends with, at least
Life can be hell, but at least you’re not being chased by the ao oni
Justus: Or perhaps we all have our own version, just that the way it devours you is more psychological or spiritual.
My, this is getting heavy
Cho: Yes, the ao oni is metaphorical
For Shun, it’s certainly a stand-in for his tormentor Takuro
Justus: Do you think so? I thought it was more a vehicle for his vengeance. I felt since he felt powerless to stand against Takuro, he created the ao oni to act as the monster he himself couldn’t be.
Cho: I believe there’s that aspect to it too
Justus: To me, that’s why Shun didn’t insert himself into his own game. In a way, he was already there as the monster
Cho: Now that I think about it, IDK if the story says who they actually play as in Shun’s game in the story
Probably just a blank slate character
Justus: I believe it says the main character (the player) enters a name of their choice.
Cho: Okay, I think with that in mind, there can be a dual interpretation made here
Justus: Oh yes, I think so too.
Cho: On one hand Shun would love to defeat Takuro to end the bullying for good, but that’s not going to happen — sometimes you have to just scrape by in life
Justus: Shun really seems to believe that. Even at the end, he doesn’t seem convinced he’ll escape the torment entirely
But he seems determined to not let it destroy him either
Cho: I think it’s a refreshing message tbh
Most movies and whatnot about a bully and victim will end with the victim beating up/defeating the bully
Justus: Well, even during the whole mansion incident, Shun isn’t happy to see Takuro’s fate
Which is funny seeing as how he made a game where that is Takuro’s fate
Cho: Yes, and I think that will be a central part to the overarching plot of the series — understanding the monster
(i.e. Takuro)
This can tie into Anna’s subplot as well, because I imagine deep down she seeks revenge, because this is a horror series
Justus: I could see that. I think the book’s message in regards to the bullying is that it isn’t realistic to think you’ll suddenly gain the strength to beat the bully. But you can gain the strength to stand up, to run, and to see the day when it ends
I really think Anna’s story needs resolving
I mean, we know the ao oni comes back. But if it isn’t the result of Shun’s emotional torment this time, then it must belong to someone else
Cho: I was a bit bummed by the ending being a variation of “it was all a dream,” but I am still curious to see what the author comes up with next
In a way it’s pretty fitting for slasher monster flicks
Justus: Yes. Like I said earlier, the whole “reset without consequences” thing kind of bothers me. But, as you point out, if this is Shun’s story going from weakness to determination, then it has to happen that way
Before the reset, though. When it’s revealed how the ao oni came to be, did you feel like you wanted to go back and read the book again to check to see if Shun’s presence was mostly ignored? It was the same way I felt when I watched the Sixth Sense
Cho: Sixth Sense is what immediately came to mind, given the nature of the reveal
I think it’s a fun twist, but yes, the book in general is not exactly treading new ground for most of its plot elements
Justus: No. Not at all. But, as you said, it didn’t exactly have deep source material to work with
Cho: It’s all-in-all a very familiar story for horror fans
(But this is the only horror LN series in English we’ve got, so it’s fresh in that regard)
Justus: Still, even having experienced something similar in other media, I was still surprised
I hadn’t expected the boxes to have those contents
Cho: It was a good reveal. We knew there had to be something terrible in those boxes, and we weren’t let down

Ao Oni

Cho: I think we can wind down with final thoughts
Or any questions you want to throw out
Justus: Just want your brief thoughts on Mika. Did you find her confession of love for Takuro odd? I mean, she says she knows what kind of a monster he is, so what’s the deal?
Cho: Mika is a mystery — we aren’t given any clear reason why she hangs out with Takuro in the first place
My guess is that she and Takuro both have family issues, and connect in that way
Justus: Maybe. I suppose that might be addressed in later books.
Cho: It seems clear Takeshi was bullied into being Takuro’s goon, but Mika is much closer to being “on his level,” standing up to him at points
It’s possible they’re both using each other for specific purposes
Justus: Could be. That might also explain why he was so quick to end her. Not just because of what she said in that moment, but because of what she was to him overall.
All right, we can wrap it up 😉
Cho: I think the last two things I’d like to point out are:
1) I thought the translation was particularly good for this one. Everything flowed smoothly, dialogue never felt stilted, etc
Justus: Agreed.
Cho: (And, related to that, we didn’t have loads of text regarding Game Mechanics™ to slow things down… thank you author Kenji Kuroda)
Justus: LOL!
Cho: and 2) This is a good instance of illustrations elevating the story for a light novel
The artwork is very good (in stark contrast with the art for the various anime tie-ins)
(…and the original game itself, lol)
Justus: Yes! I even enjoyed the growing bloodstain on the wall with each new chapter title page
Cho: Those were fun
The standout moment for me would have to be Takeshi opening the dresser door in the text, and then getting the two-page spread of the monster looking in 🙂
Justus: Found you, Takeshi!!!!!!
Cho: That tricky blue demon
Justus: I would’ve liked to see more of that. Not just chasing down and chowing down, but actual trickery
Maybe in the next book 😉
Cho: Though there isn’t much plot in the original game, there are certainly plenty of “moments” that can still be worked in for future volumes
The other ao oni monsters were kind of all thrown in at the end really quick, for example, and could be expanded upon
Justus: I think I’ll check those other volumes out. I hadn’t read this one for some time, but I’m glad I checked it out. It was fun. There were some good moments, and the main character’s arc was decent. But it did leave lots of room for future expansion on the story and other characters
Cho: I think it’s worth a shot for any LN readers looking for something straightforward and fast-paced, and different from your more typical fantasy adventures
Justus: Yes. Like you said, we lack a lot of titles that are true horror. This is the closest we have, and it’s not a bad one at that. Maybe it doesn’t break new ground, but it’s overall satisfying and the pace and length of the book work very well.
Cho: Super! I think that’s a good ending point. Next time we’ll get into the horror novel Dark Maidens
which I believe you’ve already read through
Justus: Yup. It’s more of a mystery title than a horror. I really enjoyed it! Again, different from most of what we’ve had in English so far. And the author, Rikako Akiyoshi was just very gracious and willing to give her time to answer questions.
Though it does have some of that psychological thriller aspect
Cho: I noticed you had a video up for that — I was planning to watch after reading the book
I love mystery, so it looks right up my alley
Justus: Yup, yup! It’s one of those cool books where you can’t trust any of the narrators. I look forward to hearing your thoughts on it!

Cho: That’s it for our discussion on Ao Oni volume 1. Now it’s your turn! What are some of your thoughts on this book?

Sword Art Online Alternative: Gun Gale Online

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Sword Art Online Alternative: Gun Gale Online

English Title: Sword Art Online Alternative: Gun Gale Online
Japanese Title: ソードアート・オンライン オルタナティブ ガンゲイル・オンライン
Author: Keiichi Sigsawa
Illustrator: Kohaku Kuroboshi
Translator: Stephen Paul
Genre: Action, Adventure, Science Fiction, Virtual Reality
Original Run: December 2014 – ongoing
English Run: June 2018 – ongoing
Japanese Publisher: Dengeki Bunko
English Publisher: Yen On
Volumes in Japanese: 7 (In Progress)
Volumes in English: 1 (In Progress)
Average Price Per Volume: Paperback $14 — Kindle $8 — Nook $8

Synopsis: A Brand-New Battlefield Awaits! Karen Kohiruimaki is a college student who stands at an imposing six feet. While her complex about her height makes it hard for her to make friends in the real world, the VRMMO Gun Gale Online changes everything. Now equipped with her ideal “mini” avatar and clad in a pink battle suit, Karen is ready to shoot up the world of GGO as Llenn! Before long, she meets the beautiful Pitohui, and the two rare female players become fast friends. Little does Llenn know that this friendship is the key to her entry in the first-ever Squad Jam, a team-based battle royale that echoes the famous Bullet of Bullets tournament…

Volume 1 — Squad Jam
Amazon — Barnes and NobleBook DepositoryRightStuf
Released June 26, 2018 — ISBN-13: 978-1975327521

Upcoming Releases

Reviews of Sword Art Online Alternative: Gun Gale Online
(forthcoming)

Illustrations Sampler

Anime Adaptation
MAL Entry — 12 episodes — Aired April 2018 – July 2018
Crunchyroll (streaming)
Note: Adapted volumes 1 to ? of the light novel series

Manga Adaptation
MAL Entry — Published October 2016 – ongoing (English release by Yen Press)
AmazonBarnes and NobleBook DepositoryRightStuf

If you liked Sword Art Online Alternative: Gun Gale Online, you might also want to try…

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WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?

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WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?

WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?

English Title: WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?
Japanese Title: 終末なにしてますか?忙しいですか?救ってもらっていいですか? — Shuumatsu Nani Shitemasuka? Isogashii desuka? Sukutte Moratte Ii desuka? — “Sukasuka”
Author: Akira Kareno
Illustrator: ue
Translator: ?
Genre: Science Fiction, Fantasy, Drama, Romance
Original Run: October 2014 – April 2016
English Run: July 2018 – ongoing
Japanese Publisher: Kadokawa Sneaker Bunko (Kadokawa Shoten)
English Publisher: Yen On (Yen Press)
Volumes in Japanese: 5 (Completed — followed by “Sukamoka” sequel series)
Volumes in English: 1 (In Progress)
Average Price Per Volume: Paperback $14 — Kindle $8 — Nook $8

Synopsis: Hundreds of years ago, humanity was beset by otherworldly creatures only known as Beasts and utterly wiped out. The last human, Willem, wakes up in a world where everyone he has ever known or cared about has been dead for centuries. With nothing to live for, he’s done nothing but drift from place to place. But in his lonely wanderings, he’s discovered the identity of the greatest weapons ever made for the unending war against the beasts–fairies, destined to fight with everything they have, then die.

Volume 1
Amazon — Barnes and NobleBook DepositoryRightStuf
Released July 31, 2018 — ISBN-13: 978-1975326876

Upcoming Releases

Reviews of WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?
(forthcoming)

Illustrations Sampler

Anime Adaptation
MAL Entry — 12 episodes — April 2017 – June 2017
Crunchyroll (streaming) — AmazonRightStuf
Note: Adapted volumes 1 to 3 of the light novel series

Manga Adaptation
MAL Entry — 4 volumes — Published February 2017 – June 2018 (Japan Only)

If you liked WorldEnd, you might also want to try…

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Review: Fullmetal Alchemist – The Abducted Alchemist (Vol 2)

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Fullmetal Alchemist

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Railway lines are being blown up thanks to a mysterious group of terrorists rallying against the military. Despite the constant attacks there have been no casualties and seemingly no motivation, leaving Colonel Mustang and the rest of military personnel under the pressure of civilian frustrations. The public dissatisfaction is loud enough to distract from the string of kidnappings happening across the eastern region, with children of wealthy families being taken for ransom and returned safely.

After discovering the situation when coincidentally meeting Mustang and Havoc on their rescheduled train trip, Edward and Alphonse Elric find themselves trying to help discover the truth and reasoning behind everything going on–ending up right in the middle of trouble yet again!

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Once again Makoto Inoue returns with a new Fullmetal Alchemist story for fans in the familiar ‘problem of the week’ style that builds the earlier parts of the series (especially the earlier 2003 anime series). Unlike the previous book in this series, none of the content in this novel was adapted or incorporated in the anime adaptations, so this comes as a whole new adventure starring our favorite Brothers Elric, and Col. Mustang.

The story starts off strong, introducing our characters as they wait hopelessly for a train that doesn’t seem like it will arrive. Up until the opening of the book Ed and Al had been on another trip to search for the Philosopher’s Stone, cut off from major communications for several weeks, so the two have no clue to the problems currently plaguing the country. Once the train does arrive–late and packed to bursting with people–it’s quickly obvious as to why the train schedule is so disrupted. An unnamed terrorist group has been blowing up the rails and causing transport problems without any real motivation, according to the Colonel. Central Command has been pushing for results, but the perpetrators have always managed to slip away without witnesses. In addition to that major problem, Mustang believes the recent string of kidnappings is somehow connected, but can’t convince his superiors of the same thing.

The story in this book is fairly simple, with and obvious problem and set up that leads to a satisfying conclusion and at least one action scene in typical shonen fashion. Edward and Alphonse are of course the main characters we follow in this book, but the true focus is Colonel Roy Mustang. This book is the first true introduction we’ve gotten for his character within the light novel series, and Inoue takes the opportunity to show off his strong personality and instincts in the story. He’s dedicated to his position, but not to the disadvantage of common sense or instinct. The relationship he (and his team) has with the Elrics is also front-and-center for the book, highlighting the mix of irritating teasing and genuine care they all share. Arakawa has created all of these characters with plenty of personality and realistic relationships, and Inoue definitely tries to capture that in the writing. I don’t think everything in this book feels true to the characters of the manga (Ed’s early joking of calling Mustang ‘Dad’ felt particularly out of character thanks to his own problems with his father and the lack of any resemblance between them), but I think that owes a lot to character revelations that were revealed after the publishing of this book rather than a flaw in the writing itself. I did appreciate Alphonse’s interactions with the little girl the brothers meet at the inn, but that may be due to my love for the character in general–the youngest Elric seems to have avoided any major personality discrepancies in these books so far, and his sweet, patient temperament is a nice balance with his more-fiery older brother.

The villains of this book are the weakest part, in my opinion. All of these Fullmetal Alchemist books are short, and both this book and the previous have handled some fairly straightforward-but-expansive plot lines. Whilst the reasoning behind what the terrorists want is fairly easy and typical, as an audience we get very little in justification or characterization for the members of the group before the finale looms and the book is done. Understandably, none of the villain characters are ones fans and readers know–completely created for this novel and to serve their function within the story–but it means we have little to invest us into their cause. You don’t need sympathetic villains for a good book, but the stakes never felt particularly high between the two groups.

Functionally these books are definitely on the “light” side of light novels without demanding a huge amount of attention to follow, and this one especially feels like a middling interlude in these characters’ lives–even as we have kidnapping and the threat of train crash. Compared to the previous book I reviewed in this series, the language use and intended audience seems much the same, continuing to be very accessible for new young light novel fans. Fullmetal Alchemist – The Abducted Alchemist is exactly what the title promises, and although it has some fun action pieces, the book is overall skippable for most people. It’s not terrible, but it sticks a little too close to the expected formula to be engaging outside of the larger franchise it’s tied to.

Gee’s recommendation: Satisfactory, but skippable

True Tenchi Muyo!

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Tenchi Muyo

English Title: True Tenchi Muyo!
Japanese Title: 真・天地無用! 魎皇鬼 — “Shin Tenchi Muyo! Ryououki”
Author: Masaki Kajishima, Yousuke Kuroda
Illustrator: Masaki Kajishima
Translator: Lillian Olsen
Genre: Sci-fi, Harem, Action
Original Run: August 1997 – May 1999
English Run: June 2018 – ongoing
Japanese Publisher: Fujimi Fantasia Bunko (Fujimi Shobo)
English Publisher: Seven Seas
Volumes in Japanese: 3
Volumes in English: 1 (In Progress)
Average Price Per VolumePaperback $15 — Kindle $8 — Nook $9

Synopsis: Based on the hit Tenchi Muyo! Ryo-Ohki OVA series, this trilogy of canonical light novels explores the lore that shapes the past, present, and future of the sprawling Tenchi Muyo universe. In the first novel, delve deep into the backstory of Emperor Azusa (Ayeka and Sasami’s father) while learning what happened immediately following the conclusion of the second OVA series. In the second novel, witness the mysterious past of Tenchi’s grandfather Yosho, and how he came to find himself on Earth in the aftermath of Ryoko’s attack on Jurai. And in the third and final novel, learn the origin of the super genius Washu and the previously untold life she led as a goddess over 20,000 years before the events of the Tenchi Muyo: Ryo-Ohki series!

Volume 1
Amazon — Barnes and Noble — Book Depository — RightStuf
Released June 26, 2018 — ISBN-13: 978-1626926141

Upcoming Releases

Reviews of True Tenchi Muyo!
(forthcoming)

Illustrations Sampler

Anime Adaptation
MAL Entry — 6 episodes — Aired September 1992 – March 1993
Crunchyroll (streaming) — Funimation (streaming)
Note: Novels are a prequel to the Tenchi Muyo! Ryo Ohki OVA series

Manga Adaptation
MAL Entry — 12 volumes — Published November 1993 – 2000

If you liked True Tenchi Muyo!, you might also want to try…

If you find any errors or broken links in this entry, leave a comment!

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